Opinioni e recensioni
Opinioni e recensioni
Editoriali, recensioni critiche, analisi, commenti e punti di vista sul mondo dell'arte contemporanea.
Storie piu recenti
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Ed Sheeran's Looper X Review: A $1,300 One-Person Tour Machine
opinion-review
Ed Sheeran, who has sold over 170 million records worldwide, typically performs solo in sold-out arenas using his guitar, voice, and the Looper X. The 16-pound flagship model from…
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SAIC Places Art Therapy Professor on Leave Over Pro-Palestine Assignment
opinion-review
Savneet Talwar, who directs the graduate art therapy program at the School of the Art Institute of Chicago (SAIC), has been placed on leave after she tasked her students with…
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Children's literacy crisis: why book-shaming won't help
opinion-review
The national advocate for children's books criticizes most of them as 'crud,' but argues that literary quality is not the reason for declining reading rates among children. The…
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Masks and Faces in Contemporary Art: From Picasso to Afrofuturism
opinion-review
A recent article delves into the significance of masks in modern art, charting their transformation from early 20th-century primitivism to today's decolonial and Afrofuturist…
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Book Covers as Marketing: The Art of Visual Storytelling
opinion-review
Mike Meyerson posits that the cover of a book is the most crucial marketing choice for an author, countering the saying 'don't judge a book by its cover.' The concept of…
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Museo Reina Sofía urged to incorporate New Media Art into permanent collection
opinion-review
A critical analysis on El Hype argues that the Museo Reina Sofía's rehang of its permanent collection, titled Colección Arte Contemporáneo 1975 – Presente, completely omits New…
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Artists' apocalyptic visions from Dürer to Kiefer
opinion-review
A Financial Times article surveys how artists from Albrecht Dürer to Keith Haring and Anselm Kiefer have depicted the end of the world, each reinventing cataclysmic imagery to…
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French cinema figures defend Nadav Lapid amid boycott, exposing cultural cowardice
opinion-review
In a column for Le Monde, editorialist Michel Guerrin argues that the support shown by numerous French cinema personalities for Israeli filmmaker Nadav Lapid reveals the inability…
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Visconti's 'Ossessione' and the Gas Station as Neorealist Icon
opinion-review
Marco Belpoliti and Anita Romanello reflect on the symbolic role of a gas station in Luchino Visconti's 1943 film 'Ossessione', arguing that the neorealist movement began with a…
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Trump, Moral Clarity, and the Virtue of Indignation
opinion-review
Alessandro Carrera and Anita Romanello, writing for doppiozero, argue that indignation has lost its virtue in contemporary political discourse. They cite a piece of American prose…
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Sarah Schulman on Lesbian Fiction, ACT UP, and Mentorship
opinion-review
In an interview for Hyperallergic's 2026 Pride Month series, novelist, playwright, and filmmaker Sarah Schulman discusses her four-decade career, her activism with ACT UP, and the…
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Sagrada Familia: Christianity's Last Grand Gesture?
opinion-review
Art historian Luca Nannipieri, curator of the newly published book "Antoni Gaudí. Scritti e Pensieri" (Abscondita, 2026), offers ten critical reflections on the Sagrada Familia in…
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SAIC Places Art Therapy Director on Leave Over Palestine-Related Assignment
opinion-review
Savneet Talwar, who leads the graduate art therapy program at the School of the Art Institute of Chicago (SAIC), has been put on leave after directing students to develop a…
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Critics Declare 21st Century a Cultural Wasteland
opinion-review
A growing chorus of critics has declared the 21st century a creative blank space. In 2011, Simon Reynolds's book Retromania diagnosed the 2000s as an era of recycled past. Mark…
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Media concentration risks 'media capture' of public opinion, warns scholar
opinion-review
In an opinion piece published in Le Monde, communications professor Louis Wiart argues that French laws are insufficient to counter the influence of large media conglomerates,…
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JiaJia Fei on Career Autonomy and Digital Innovation in the Art World
opinion-review
JiaJia Fei, founder of the first digital agency for the art world, discusses her career trajectory from self-taught social media pioneer at the Jewish Museum and Guggenheim to…
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Spielberg's 'Disclosure Day' Uses Alien Encounter to Explore Truth and Image
opinion-review
Steven Spielberg's film 'Disclosure Day' reimagines the alien encounter narrative as a meditation on truth, images, and humanity. The film portrays a long transitional moment in…
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French Contemporary Art Under Political and Ideological Pressure
opinion-review
Stéphane Corréard's opinion piece in Le Journal des Arts warns that contemporary art in France is increasingly under attack from political figures and reactionary billionaires.…
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Nostalgia for 2006 World Cup as Germany Faces Crisis
opinion-review
A commentary in Der Freitag reflects on the nostalgia for the 2006 FIFA World Cup, known as the 'Sommermärchen', when Germany received international praise for its public…
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AI film 'Dreams of Violets' criticized for trivializing Iran protests
opinion-review
The AI-generated film 'Dreams of Violets,' which portrays victims of state brutality during the Iran protests, has been criticized for failing to capture their humanity. It is the…
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Mario Voigt verteidigt KI-Nutzung für Reden
opinion-review
Thüringens Ministerpräsident Mario Voigt (CDU) sieht keinen Widerspruch darin, Reden mit generativer Künstlicher Intelligenz zu verfassen. In einer Debatte über politische…
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Angela Schanelec's 'Meine Frau weint' Reviewed
opinion-review
A review of Angela Schanelec's new film 'Meine Frau weint' describes it as rigorous, strict, and completely different from conventional cinema, yet absolutely serious. The plot…
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Baselitz's Final Venice Show Warns of History Repeating
opinion-review
Georg Baselitz passed away just one week prior to his last exhibition, 'Eroi d’Oro (Golden Heroes)', which is taking place on San Giorgio Maggiore in Venice until 27 September.…
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Pasolini and ChatGPT: The Crutches of Contemporary Art Writing
opinion-review
A satirical essay from Collezione da Tiffany critiques the overuse of Pier Paolo Pasolini and ChatGPT in contemporary art discourse. The author argues that ChatGPT has liberated…
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La Haine's Enduring Relevance: A Timeless Portrait of Masculinity and Violence
opinion-review
Mathieu Kassovitz's 1995 film La Haine, starring Vincent Cassel, Hubert Koundé, and Saïd Taghmaoui, recently screened in Australia as part of Vivid Sydney with a live soundtrack…
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Capitalism's distorted perception fuels right-wing populism, argues new book
opinion-review
In a recent article for Der Freitag, Sabine Nuss argues that the rise of right-wing parties cannot be fully explained by material losses or social decline alone. She points to a…
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Banksy Mural Removal in Venice Sparks Debate on Preservation vs. Change in Chinese Cities
opinion-review
The removal of a Banksy mural in Venice has ignited a broader discussion about preservation, public space, and cultural attitudes toward urban change, particularly contrasting…
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World Cup Anthems: From Fat Les to Belle & Sebastian
opinion-review
The 2026 FIFA World Cup, featuring 48 teams across three host nations and 16 stadiums for 104 matches over 39 days, is criticized for its scale. The article explores the tradition…
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Novelist Finds Literary Inspiration in Knicks Star Jalen Brunson
opinion-review
In a personal essay for Vogue, novelist Garth Risk Hallberg draws parallels between writing and basketball, citing New York Knicks point guard Jalen Brunson as his unlikely…
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China-UK AI cooperation for people-first era
opinion-review
An opinion piece argues that China and the UK should collaborate to ensure the AI era prioritizes safety, inclusion, and prosperity. The UK's historical contributions to science…
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Leonora in the Morning Light: Surrealist biopic blurs fact and fiction
opinion-review
The film 'Leonora in the Morning Light' explores the life of British Mexican Surrealist artist Leonora Carrington (1917-2011), intertwining reality with fiction. It draws…
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Demand Drives Ongoing Trade in Looted Antiquities, Despite Crackdowns
opinion-review
In 1997, a group of looters excavated a chamber at Koh Ker, a 10th-century Cambodian temple, and removed three statues. One male statue, believed to represent Shiva, was purchased…
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Readers defend gallery display practices against 'art overload' criticism
opinion-review
In reaction to a Guardian piece that condemned art galleries for exhibiting excessive amounts of work, readers Dr. Penelope Jackson, Sue Lewis, and Fiona Willan contend that these…
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Why the Left Is Ceding Social Media to the Far Right
opinion-review
The article argues that the political left is failing to use social media effectively, allowing figures like Elon Musk, the AfD, and Donald Trump to dominate platforms such as…
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AI Democratizes Prototyping, Designers Must Shift to Judgment
opinion-review
A veteran designer with nearly thirty years of experience argues that the ability of non-designers to create AI-generated prototypes is a positive development, as it forces the…
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Doug McLennan Blames Collapse of 'Civic Middleware' for Classical Music Crisis
opinion-review
In a Bachtrack interview, Douglas McLennan argues that America's classical music crisis stems from the disappearance of the 'civic middleware'—critics, radio hosts, and…
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Kreml nutzt Russophobie-Vorwurf als Propagandawaffe
opinion-review
Der Kreml reagiert auf Kritik mit dem Vorwurf der Russophobie, einer propagandistischen Strategie, die Kritiker als irrational und krankhaft darstellt. Diese Taktik funktioniert…
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Artists Who Succeed Never Stand Still
opinion-review
Carolyn Edlund advises artists to maintain momentum during slow sales periods by continuing to create new work, market consistently, and build relationships. She notes that…
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Crisis in the Art World: Galleries Close, but the System Pretends Nothing Is Wrong
opinion-review
The art world faces systemic crisis as Air de Paris closes and Pace Gallery drastically cuts staff, with CEO Marc Glimcher calling the system "broken" and "impossible to repair."…
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Architecture's Hidden Impact: Soil as Political and Ecological Archive
opinion-review
An article on ArchDaily examines how architecture's subterranean consequences—foundations, contamination, and colonial land divisions—persist long after buildings are demolished.…
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