Opinioni e recensioni
Opinioni e recensioni
Editoriali, recensioni critiche, analisi, commenti e punti di vista sul mondo dell'arte contemporanea.
Storie piu recenti
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Fareed Zakaria Champions Human Intelligence Over AI in Bard College Commencement Speech
opinion-review
CNN journalist Fareed Zakaria delivered a commencement speech at Bard College, praising the human brain's capabilities over artificial intelligence. He argued that while AI…
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Trump's D.C. Transformation: A Virtual Spectacle of Power
opinion-review
A New Yorker article describes how Donald Trump's second term has turned Washington, D.C., into a personal stage set, using government buildings and public spaces for theatrical…
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Why Chasing Art Awards After Five Wins Hurts Your Career
opinion-review
An artist with a three-page CV of regional juried show acceptances and honorable mentions admitted they hadn't sold a piece in six months. The article argues that while the first…
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German Rail Chaos Sparks Debate on Infrastructure Ambition
opinion-review
A commentary in Süddeutsche Zeitung argues that Germany's once-admired efficiency, particularly in rail transport, has eroded, drawing ridicule from France and Switzerland. The…
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Jacques Toubon calls for new cultural alliance ahead of 2027
opinion-review
Former French culture minister Jacques Toubon, in an interview with Le Monde, advocates for a new political alliance to rebuild France's cultural exception ahead of the 2027…
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Jean-Philippe Kindler: Political Influence Requires Commitment, Not Visibility
opinion-review
Satirist and influencer Jean-Philippe Kindler, known for his political videos, now argues that political impact stems from commitment rather than online visibility. He reflects on…
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Wim Wenders Withdraws Film After Nastassja Kinski Criticism
opinion-review
Nastassja Kinski has publicly criticized Wim Wenders, prompting him to withdraw a film from release. In response, commentators argue that this controversy presents an opportunity…
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Shostakovich: Socialist Realist or Secret Dissident?
opinion-review
The article examines whether Dmitri Shostakovich (1906-1975) was a Socialist Realist composer or a secret dissident through analysis of four key works. Socialist Realism, defined…
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Why There Is No Heterosexual Pride Day
opinion-review
The article explains why a Heterosexual Pride Day does not exist, arguing that LGBTQ+ Pride emerged as a response to historical and ongoing oppression, violence, and…
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Portfolio Presentation Tips for Artists
opinion-review
Carolyn Edlund argues that an artist's portfolio communicates professionalism, judgment, and consistency before viewers examine individual works. Galleries, collectors, designers,…
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Digital Memory and the Loss of Forgetting: Nietzsche, Byung-Chul Han, and the Paradox of Total Recall
opinion-review
The article explores how digital technology has transformed human memory, arguing that constant access to the past prevents genuine forgetting and hinders personal growth. It…
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Psychohorrorfilm 'Good Boy' testet TikTok-Entzug mit Schlagstock
opinion-review
Der Psychohorrorfilm 'Good Boy' von Jan Komasa zeigt eine britische Familie, die einen Influencer im Keller anketten, um ihn von TikTok zu befreien. Der Film nutzt Jane Austen und…
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Spiegel Bestseller List Reveals Late Capitalism's Hunger for Certainty
opinion-review
An analysis of the Spiegel non-fiction bestseller list reveals a trend toward books offering clear explanations and strong theses, often signaled in subtitles. Examples include…
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Roula Merhej on Afghan women expelled to a country they never inhabited
opinion-review
Roula Merhej, a journalist, investigates the plight of Afghan women forced to return to an unfamiliar Afghanistan from Iran and Pakistan. According to the UNHCR, nearly 3 million…
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Alain Chenevez argues culture should not have to prove its utility
opinion-review
In a June 3, 2026 op-ed for Le Monde, sociologist Alain Chenevez argues that culture should not be forced to defend itself on the grounds of performance or profitability. He calls…
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Collectors, Amateurs, and the Rise of Provocation as Aesthetic Value
opinion-review
In a thought-provoking piece on ArtsLife, the writer delves into the fascination with valuable items, categorizing collectors into two groups: the "collezionista," who pursues…
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Mark Jenkin's 'Bait' Reviewed in Le Monde's Weekly Film Column
opinion-review
Le Monde's weekly film column 'La Matinale' features reviews of new releases, including British director Mark Jenkin's 'Bait', which captures a muted class struggle. The column…
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Nick Mamatas Explains the Real Economics of Book Publishing
opinion-review
Nick Mamatas, a veteran editor and author, offers a blunt insider's critique of the publishing industry, arguing it operates as a 19th-century production-driven manufacturing…
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Kane Parsons's 'Backrooms' and the Death of Liminal Space
opinion-review
Kane Parsons's directorial debut 'Backrooms' (2026) has grossed $118 million, but critic Lewis Gordon questions whether it represents 'prestige slop'. The film adapts an…
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Jack White's art show at Newport Street Gallery panned as 'nonstarter'
opinion-review
A review of Jack White's exhibition 'These Thoughts May Disappear' at Damien Hirst's Newport Street Gallery in London dismisses the musician's visual art as amateurish, comparing…
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Catholic author welcomes Pope's AI skepticism in new encyclical
opinion-review
A Catholic author and early AI skeptic expresses relief over Pope Leo's new encyclical, which calls for the disarmament of artificial intelligence and acceptance of human…
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Naomi Osaka's French Open Outfit Sparks Debate on Fashion in Sports
opinion-review
At the 2026 French Open, Naomi Osaka wore a three-part outfit by Swiss couturier Kevin Germanier: a voluminous black tulle skirt over a caramel-brown sequined top and shorts.…
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Marilyn Monroe's skirt moment and the male gaze in cinema
opinion-review
The article examines Marilyn Monroe's iconic skirt scene through the lens of upskirting, voyeurism, and gender power dynamics. It notes that upskirting became a criminal offense…
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Sinologist Manya Koetse Criticizes Western Stereotyping of China in Op-Ed
opinion-review
Sinologist Manya Koetse published an op-ed in response to a piece by Dutch philosopher Sebastien Valkenberg in Het Financieele Dagblad, who cited her as an example of a 'hip…
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L'astensionismo record e il declino del voto consapevole in Italia
opinion-review
A ottant'anni dal referendum del 2 giugno 1946 che sancì la nascita della Repubblica Italiana, l'articolo analizza la crisi della partecipazione elettorale. Alle elezioni europee…
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Hate as a Unifying Force in Russia-Ukraine War
opinion-review
The article argues that after over four years of war, hatred remains one of the few things connecting Ukrainians and Russians. This is dangerous because violence cultivated on…
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Arab Design Criticism Lacking as Minimalist Aesthetics Dominate
opinion-review
Mahmoud Elhossieny, a designer based in Cairo and the founder of the Arabic Design Archive, contends that the lack of design criticism in the Arab world has diminished the…
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Biennale di Venezia 2026: Un'edizione per minoranze e ingiustizie, ma non per tutti
opinion-review
Nicola Mafessoni, gallerista e curatore, riflette sulla 53ª edizione della Biennale di Venezia, intitolata 'In Minor Keys' e curata da Koyo Kouoh, scomparsa dopo la nomina. La…
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Islamist Violence in Europe Cannot Be Explained Away as Pathology
opinion-review
The article argues that Islamist violence in Europe is not a symptom of mental illness but a direct consequence of ideological and religious extremism. It contrasts the regulation…
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Why Saint Sebastian Became a Gay Icon
opinion-review
Saint Sebastian, a Christian martyr and captain in the Praetorian Guard, is considered the earliest known gay icon despite his historical role as patron of soldiers and athletes.…
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Germany's Bürgergeld Debate Blames Unemployed for Economic Woes
opinion-review
The article criticizes the German government under Friedrich Merz for scapegoating unemployed Bürgergeld recipients amid economic downturn. It argues that populist rhetoric about…
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El Califa de León: Authenticity as Urban Spectacle in Mexico City
opinion-review
The article examines how El Califa de León, a taco stand on Avenida San Cosme in Mexico City, became a symbol of 'authentic' gastronomy after receiving a Michelin star in 2023.…
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Aleshea Harris's 'Is God Is' Sparks Blasphemy Debate
opinion-review
Aleshea Harris's film 'Is God Is,' a revenge parable about the breaking of the Black family, has ignited controversy over its depiction of God as female and murderous. The film…
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Laura Raicovich on Reintegrating Art and Life Through Alternative Cultural Spaces
opinion-review
Laura Raicovich, former director of the Queens Museum, argues for the reintegration of art and daily life as a form of resistance to rising fascism and social polarization. She…
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Reinier de Graaf argues architects must find meaning in how they work, not where
opinion-review
Reinier de Graaf, a partner at OMA and author of 'Architecture Against Architecture' (Verso Books, 2026), argues that architects should not define their morality by choosing to…
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Female Pop Stars Channel Rage Through Trash Aesthetics in 2026
opinion-review
In 2026, amid war, AI, and climate crisis, female pop stars like Slayyyter, Amara ctk100, and Cobrah are defying expectations of feminine perfection with aggressive electro-pop,…
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Artist-Run Exhibitions: Weighing Exposure Against Studio Time
opinion-review
The article examines the tradeoffs for artists who organize and curate their own exhibitions. It highlights a "Box Truck Gallery" pilot and an eight-artist show curated by an…
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SPD's tech fetish without capitalism critique is doomed
opinion-review
Leander Scholz recently argued in Der Freitag that the SPD should embrace automation and AI as liberation from work, and break free from the Green Party's ecological concerns.…
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Three Top US Art Critics Retire, Marking End of an Era
opinion-review
At the conclusion of 2025, Christopher Knight stepped down as the art critic for the Los Angeles Times, following Roberta Smith's retirement from The New York Times in 2024 and…
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BIANCOSCURO #76: Geopolitics and Art at Venice Biennale and Art Basel
opinion-review
In the editorial for BIANCOSCURO #76 (June/July 2026), director Vincenzo Chetta reflects on the politicization of the Venice Biennale, where national pavilions have become sites…
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