Opinioni e recensioni

Storie piu recenti

• Biennale-Jury-Rücktritt und Gallery Weekend Berlin: Medienschau opinion-review

  Kurz vor der Eröffnung der Kunstbiennale in Venedig trat die gesamte Jury zurück. Pietrangelo Buttafuoco, der Präsident der Biennale, sieht sich heftiger Kritik ausgesetzt,…

• Why Russia Should Stay at the Venice Biennale opinion-review

  An opinion piece argues against excluding Russia from the Venice Biennale, despite the war in Ukraine. The Russian pavilion's exhibition, titled 'Der Baum ist im Himmel…

• Immersive art experiences like Frameless: inspiring kids or making museums seem dull? opinion-review

  The article explores the impact of immersive digital art experiences on children's engagement with traditional art. The author visits Frameless, an immersive art space near Marble…

• Kacem El Ghazzali: Der ewige Migrant und die Instrumentalisierung von Einwanderern opinion-review

  In einem Essay für die NZZ kritisiert der schweizerisch-marokkanische Islamwissenschaftler Kacem El Ghazzali die Erwartungshaltung linker Kreise, dass Migranten eine bestimmte…

• Melbourne Theatre Company's 'The Glass Menagerie' reinvents Tennessee Williams with muscularity and queer lens opinion-review

  Melbourne Theatre Company (MTC) stages Tennessee Williams' 'The Glass Menagerie' for the first time in 22 years, directed by Mark Wilson. The production features Alison Whyte as…

• Koyo Kouoh's Absence Looms Over Venice Biennale Exhibition opinion-review

  The Venice Biennale's exhibition 'In Minor Keys' opens without its first Black female curator, Koyo Kouoh, raising questions about the reception of her work. Kouoh, who curated…

• Miguel Villegas on AI's Challenges for Architecture opinion-review

  Miguel Villegas argues that applying AI to architecture is problematic because the discipline's core components—construction, space, and people—are not yet adequately digitized.…

• Domenico Gnoli's intimate worlds counter Pop Art opinion-review

  Domenico Gnoli's paintings offer a private, introspective counterpoint to Pop Art's focus on mass-produced commodities. The Italian artist's work is examined in a new opinion…

• Photographer Intent vs. Viewer Interpretation: Lessons from Tolkien opinion-review

  This opinion piece draws parallels between J.R.R. Tolkien's "The Lord of the Rings" and photography, arguing that a photographer's intent never aligns with a viewer's…

• Are TV series and films really getting dumber? opinion-review

  Recent interviews with Matt Damon, Ben Affleck, Gus Van Sant, and Italian producer Carlo Degli Esposti suggest a trend toward simplifying narratives in streaming, Hollywood…

• Michal Hvorecký on Slovakia's Autocratic Turn Under Fico opinion-review

  In an interview with the Süddeutsche Zeitung, Slovak writer Michal Hvorecký discusses the political situation in Slovakia following Viktor Orbán's electoral defeat in Hungary. He…

• Quai Branly exhibition criticized for omitting colonial violence opinion-review

  The Musée du quai Branly in Paris is facing criticism for its exhibition '1913-1923: l'esprit du temps', which showcases high-quality plastic objects from Africa and Oceania but…

• David Lynch's Use of Bobby Vinton and Roy Orbison in Blue Velvet opinion-review

  A Spanish-language article from the cultural magazine El Hype analyzes the use of two classic songs in David Lynch's 1986 film Blue Velvet: "Blue Velvet" by Bobby Vinton and "In…

• NZZ Article Questions Normalization of Pornography in Pop Culture opinion-review

  The article examines the pervasive presence of pornography in contemporary culture, from series like 'Euphoria' to novels like 'Margo's Got Money Troubles'. It argues that…

• James Talarico: Progressive Christentum und Abtreibungsrecht aus biblischer Perspektive opinion-review

  Der Artikel diskutiert die Möglichkeit eines neuen politischen Christentums jenseits des protestantischen Fundamentalismus, der Donald Trump heiligt. James Talarico, ein…

• Dr. Trainwreck on Mislabeling Exes as Narcissists and Handling Family Boundaries opinion-review

  In an advice column for Artillery Magazine, Dr. Trainwreck addresses two reader questions. The first concerns a friend who diagnoses every ex as a narcissist after breakups. Dr.…

• Reflections on Authenticity in Art and Culture opinion-review

  Lily Monbouquette and Eric Bach exchanged vows in New Orleans at the Sydney and Walda Besthoff Sculpture Garden, located next to the New Orleans Museum of Art, surrounded by…

• Venice Room Review: A Kitschy San Gabriel Valley Institution with Self-Service Steaks opinion-review

  A review of the Venice Room, a restaurant in the San Gabriel Valley, California, critiques its décor and menu while drawing comparisons to the Venice Biennale. The author notes…

• Why Waiting for the Right Season to Submit Art Is a Trap opinion-review

  A gallery proprietor contends that artists ought to present their portfolios throughout the year instead of holding out for a perfect season. The writer emphasizes that timing is…

• Cultural attention spans are collapsing, but depth has relocated to niche communities opinion-review

  Cultural historian Joseph Horowitz cautions that dwindling attention spans pose a risk to classical music, emphasizing that Mahler's 3rd Symphony demands complete focus. According…

• Why Landscape Photographers Should Stop Chasing Sunsets opinion-review

  Australian landscape photographer Mitch Green argues that fixating on colorful sunsets and sunrises hinders artistic growth. He explains that stunning skies dominate compositions,…

• Bruce Percy on Building Creative Community Over Audience opinion-review

  Landscape photographer Bruce Percy argues that creative fulfillment comes from community, not audience. In an essay for ELEMENTS Magazine, he distinguishes between one-way…

• Why 40+ Megapixel Cameras May Be Overkill for Most Photographers opinion-review

  A Petapixel article argues that the race for higher megapixel counts in digital cameras has gone too far, with 40- to 60-megapixel sensors delivering more resolution than most…

• Reza Pahlavi's Press Conference Draws Criticism for Lack of Transparency opinion-review

  Reza Pahlavi, the self-proclaimed 'transition leader' of the Iranian opposition, held a press conference at the Bundespressekonferenz in Berlin nearly a week ago, drawing…

• Biennale's Visitor-Voted Golden Lions: 7 Reasons Why It Won't Work opinion-review

  On April 30, 2026, the International Jury of the Venice Art Biennale resigned en masse. In response, the Biennale Foundation hastily announced a new 'Visitor Lions' system, where…

• Reality TV as High Art: An Argument for the Genre's Emotional Complexity opinion-review

  In a Vogue article, the author argues that reality television, often dismissed as lowbrow, offers profound insights into the human condition. Using examples from Bravo's The Real…

• Francesco Lauretta Reflects on Venice Before the Biennale opinion-review

  Francesco Lauretta visits Venice to quit painting, recounting his encounters with exhibitions by Michael Armitage, Amar Kanwar, Lorna Simpson, and Paulo Nazareth. He revisits the…

• Theatre Investment Needs Venture Capital Approach opinion-review

  The article argues that theatre investing could benefit from adopting a venture capital mindset, drawing parallels between the high-risk, high-reward nature of both fields. It…

• Silly's 'Bataillon d'Amour' hailed as quantum leap for East German rock opinion-review

  The 1986 album 'Bataillon d'Amour' by East German band Silly is celebrated as a milestone for Ostrock. The record features poetic lyrics, symbolism, and hidden messages tailored…

• Lucrecia Martel's New Documentary and Restored Classic opinion-review

  Lucrecia Martel's documentary "Our Land" and a restored version of her film "The Headless Woman" are currently featured. The New Yorker highlights how Martel's elusive cinematic…

• Why Dynamic Range Obsession Misleads Photographers opinion-review

  A critical essay argues that photographers overvalue dynamic range (DR) as a metric for camera quality, despite its diminishing practical relevance. The author traces DR's rise to…

• What Artists Sign Away: The Hidden Power of Contracts in the Art World opinion-review

  An artist recounts two personal experiences that reveal how standard contracts in the art world systematically disadvantage creators. In the first, a gallery presented a…

• Pay-to-Play: Rich People Are Hiring Themselves Orchestras To Conduct opinion-review

  On February 18, the Deutsch-Romantisches Orchester (DRO) performed at Berlin's Funkhaus, a converted radio center. The concert featured a five-course banquet and was led by Marina…

• Globe's 'A Midsummer Night's Dream' is irresistible fun opinion-review

  The Globe's production of 'A Midsummer Night's Dream' is reviewed as inventive and irresistible fun. The review highlights the creative staging and engaging performances that…

• Cinema's Enduring Obsession with Weaponry from Pistols to Drones opinion-review

  A Le Monde analysis traces cinema's long-standing fascination with armed conflict, from classics like *Gone with the Wind* and *Apocalypse Now* to *Star Wars* and *The Wolf's…

• Silicon Valley Consensus: AI Will Create a Permanent Underclass opinion-review

  A New York Times opinion piece reports a widespread consensus among engineers, venture capitalists, founders, managers, doomers, accelerationists, lefties, and libertarians in San…

• Post-Colonial Themes Dominate Global Biennial Circuit opinion-review

  An analysis of 130 biennials over four years reveals a dominant cohort of artists focused on post-colonial historical reckoning, family histories, and bio-art. The most-shown…

• Broadway Spring 2026: Familiar Musicals Reimagined with Queer, Camp, and Political Edge opinion-review

  The Broadway season for spring 2026 is characterized by numerous revivals and adaptations of well-known works, redefined through innovative interpretations. "Cats: The Jellicle…

• Decapitation as Symbol: From Hindu Myth to Ragusa's Identity opinion-review

  An unnamed author explores themes of decapitation in both art and history, specifically in Ragusa, Sicily. The essay opens with the phrase "ha perso la testa," linking it to…

• Should AI Art Carry a Warning Label? opinion-review

  Steven Heller asks whether AI-generated art requires a seal of disapproval. He questions if labels like "AI Assisted" or "Human Assisted" should be mandatory when AI creates most…