Opinioni e recensioni

Storie piu recenti

• David Palterer: cedere il padiglione israeliano alla Palestina sarebbe colonialismo opinion-review

  L'architetto e designer David Palterer pubblica un'opinione su Artribune in cui si oppone alla proposta di Pino Boresta di concedere il Padiglione Israele alla Biennale di Venezia…

• Review of Derwent Lightfast Professional Colored Pencils opinion-review

  A review of Derwent Lightfast colored pencils, an oil-based professional art supply, was published on Veronica Winters Painting. The pencils are designed for archival use, with…

• Videogames as Cultural and Economic Drivers: Italy's Lagging Recognition opinion-review

  In Italy, the cultural and economic potential of videogames remains niche, despite a global market of 3.2 billion players and $475 billion in revenue. The Power of Play festival…

• Galeries Bartoux Opens in Venice, Criticized as Kitsch Temple opinion-review

  Galeries Bartoux, a French international gallery group founded in 1993 by Robert and Isabelle Bartoux, opened a new 1,200-square-meter space in Venice on October 10, 2025. Located…

• Enshittification: The Concept Explaining Cultural and Artistic Decline opinion-review

  Writer Cory Doctorow coined the term 'enshittification' in late 2022 to describe the progressive degradation of online platforms, where they first treat users well, then abuse…

• The evolving role of the curator in contemporary art opinion-review

  The article examines the shifting role of curators in contemporary art, from the rise of independent curators in the 1990s to the proliferation of biennials and the expansion of…

• Critical Perspective on Contemporary Art Trends and Museum Practices opinion-review

  A critical analysis of contemporary art trends highlights concerns about museum curation, funding, and public engagement. The author, based on visits to institutions in Florida,…

• The Symbol as a Catalyst for Shared Meanings opinion-review

  Stefano Monti explores the enduring human reliance on symbols, from prehistoric marks to modern logos, and their role in synthesizing complex information to foster social…

• Marianna Aprile on Images, Politics, and Journalism in the AI Era opinion-review

  In an interview at Galleria Z2o in Rome, journalist Marianna Aprile discusses the role of images in contemporary politics and journalism. She argues that in the age of AI, where…

• Metaverse as a New Artistic Medium Liberates Art from Physical Limits opinion-review

  Marco Senaldi posits that the metaverse, characterized by immersive virtual reality, represents a separate artistic form from artificial intelligence. While AI often evokes…

• Collector's Polish Theater Poster Fades Due to Inadequate UV Protection opinion-review

  A collector's prized Polish theater poster for a production of Who Killed Virginia Woolf has completely lost its pink pigment after four years, demonstrating the critical…

• Proposal for Palestinian Artists in Israeli Pavilion at 2026 Venice Biennale opinion-review

  Pino Boresta proposes that the Israeli Pavilion at the 2026 Venice Biennale host Palestinian artists as a gesture of peace and reconciliation amid the ongoing Israeli-Palestinian…

• The Case for Color in Italian Museum Sculpture Displays opinion-review

  Fabrizio Federici argues that Italian museums should abandon the white-wall paradigm for sculpture exhibitions, tracing the problem to Winckelmann's condemnation of color. He…

• Artists as influencers: the role of culture in conflicts opinion-review

  Artists increasingly take clear positions on political and war issues, especially the Israeli-Palestinian conflict. Opinions polarize between those supporting boycott measures…

• Architecture and the Middle Eastern Crisis: A Critical Reading of History opinion-review

  In the context of Israel's intensifying conflict with Gaza, Frank Furedi's 'The War Against the Past' examines the significance of history in architecture. The book critiques the…

• Roberto Ago responds to Gian Maria Tosatti's critique of Italian art scene opinion-review

  In a September 21 editorial on Il Sole 24 Ore, artist and curator Gian Maria Tosatti accused the Italian art scene of the 2000s-2020s of being fragmented and lacking critical…

• Artribune asks: What is the art world doing for Gaza? opinion-review

  Artribune publishes a series of responses from artists, curators, and journalists to the question 'What is the art world doing for Gaza?' Contributors include Chiara Camoni,…

• Christian Caliandro: L'arte autentica difende la vita umana opinion-review

  In un articolo su Artribune, Christian Caliandro critica il cinismo diffuso in Occidente, che secondo lui ha disinnescato l'impegno politico e culturale a partire dagli anni…

• Lyra Garcellano's essay examines Southeast Asian artistic identity, market pressures, and colonial legacies opinion-review

  On September 25, 2025, Lyra Garcellano published an essay that explores the influence of Southeast Asian artists within global art frameworks shaped by Cold War entities like…

• Empathy as Artistic Practice: A Portrait Painter's Manifesto opinion-review

  In a personal essay published on the Maniscalco Gallery website, portrait artist John Maniscalco argues that empathy is central to both art and democracy. He recounts his own…

• Amie McNee: Making Art Is a Radical Act in a Collapsing World opinion-review

  In a TEDxManchester talk on March 1, 2025, creative coach, writer, podcaster, and author Amie McNee argued that making art is an essential and radical act, not self-indulgence.…

• AI Language Standardization: The Hidden Risk of Social Influence opinion-review

  A study published on Pimlico Journal analyzed the frequency of certain expressions in UK House of Commons debates, finding a dramatic increase after ChatGPT's launch. More people…

• Barilla's Unpublicized Patronage at Casa degli Artisti opinion-review

  In June 2025, Barilla launched a new pesto sauce with a ten-day event at Casa degli Artisti in Milan, transforming its restaurant into a Basil Bar with cocktails by a top Milanese…

• Perché l’arte contemporanea non sa più confrontarsi col presente? opinion-review

  In un editoriale su Artribune, Christian Caliandro sostiene che l'arte contemporanea ha perso la capacità di confrontarsi con il presente a causa di una sistematica…

• Overcome dall'eccesso: oversharing, overtourism e la società senza misura opinion-review

  A partire dalla Pop Art degli anni Sessanta, rappresentata da Andy Warhol, la società ha adottato l'over come un paradigma sia psicologico che sociale. Fenomeni come…

• Multiculturalism and Black Artists Reshape the Art World opinion-review

  ArtReview's 2024 Power 100 list features eleven Black figures among the top twenty, signaling a shift toward multicultural leadership. Upcoming major exhibitions like the Venice…

• Collector as arbiter of representativeness in contemporary art opinion-review

  The piece contends that collectors play a vital role in determining which contemporary artworks encapsulate our era amidst a flood of cultural output. With 83 songs uploaded to…

• Art Communities Emerging as Alternative Social Platforms opinion-review

  A perspective piece suggests that art-related activities are increasingly serving as meaningful social alternatives to digital platforms. The content argues that creative…

• Giosuè Prezioso on Art, Economy, and Protection in Italy opinion-review

  Giosuè Prezioso, director of Unicollege Torino, discusses the interplay between art, economy, and legal protection in an interview. He highlights a systemic lack of economic…

• Riccardo Venturi: la critica d'arte deve dialogare con le scienze e ragionare con l'opera opinion-review

  In un dibattito sulla crisi della critica d'arte, lo storico dell'arte e critico Riccardo Venturi sostiene che la critica non può essere un'estensione della storia dell'arte, ma…

• New Theory Proposes Antonio del Pollaiolo as Co-Author of Uffizi Annunciation opinion-review

  Massimo Giontella's research casts doubt on the idea that Leonardo da Vinci solely created the Annunciation housed in the Uffizi, pointing out unresolved issues with iconography…

• Cognitive Delegation: The Real Threat of AI in Art and Culture opinion-review

  Stefano Monti argues that the true danger of artificial intelligence lies not in job displacement but in the cognitive delegation that undermines human learning and critical…

• Critique of Public Art Quality in Naples, Florida opinion-review

  A commentary piece from Veronica Winters Painting addresses concerns about the quality of public art installations in Naples, Florida. The author, a long-term resident, expresses…

• Degrado dei centri storici italiani: da museo a fogna a cielo aperto opinion-review

  Un'analisi pubblicata su Artribune mette in luce il deterioramento dei centri storici italiani, evidenziando l'aumento della microcriminalità e dell'illegalità in città iconiche…

• Christian Caliandro critica il silenzio dell'arte su Gaza opinion-review

  In un articolo su Artribune, Christian Caliandro riflette sul ruolo dell'arte contemporanea di fronte alla guerra a Gaza. Citando il rapporto di Francesca Albanese (Relatrice…

• Dissenso come motore di crescita: una riflessione culturale opinion-review

  L'articolo analizza il dissenso come facoltà sociale ancora giovane nella civiltà occidentale, nata tra Stato Assoluto e Dichiarazione Universale dei Diritti del 1789. Oggi il…

• Italy's Event Boom: Vital Mosaic or Soulless Spectacle? opinion-review

  Professor Aldo Bonomi, citing Andrea Cancellato of Federculture in Il Sole 24 Ore, critiques Italy's proliferation of ephemeral, soulless events. However, the article argues that…

• The T-Shirt as Souvenir: From Museum Shop to Luxury Status Symbol opinion-review

  The T-shirt has transformed into a significant medium for storytelling, representing memories and experiences when acquired from markets or museums. Its inclusive essence allows…

• Overtourism erased from vacation photos: the Instagram vs reality gap opinion-review

  A study by British insurer Admiral found that up to 98% of US Millennials plan trips based on social media images, which typically depict tourist destinations as peaceful, empty…

• Jeff Koons' 2011 Seoul Installation Reveals Art's Shift from Meaning to Market Commodity opinion-review

  During a 2011 installation of Jeff Koons' sculpture Sacred Heart (1994–2007) in Seoul, the artist described his work as "objects" rather than art, explaining that the true artwork…