Venice Immersive Curators Michel Reilhac and Liz Rosenthal Reflect on a Decade of XR at the 83rd Venice Film Festival
During the 83rd Mostra del Cinema di Venezia, curators Michel Reilhac and Liz Rosenthal marked the tenth anniversary of Venice Immersive by discussing the transformation of immersive media into an independent art form. They observed that technology now prioritizes emotional engagement rather than its original purpose. Reilhac pointed out the blending of different disciplines and the transition from headsets to immersive spatial experiences, admitting that his earlier forecast for 2025 was overly ambitious. Rosenthal noted the revival of VR, driven by fashionable eyewear from Ray-Ban and Oakley. Both curators highlighted location-based experiences as a viable economic model and expressed optimism about future developments in smart glasses, hoping Venice Immersive will be recognized as a crucial milestone in the integration of art forms.
Key facts
- Venice Immersive celebrates its tenth anniversary at the 83rd Mostra del Cinema di Venezia
- Michel Reilhac and Liz Rosenthal are the section's curators and consultants
- Reilhac predicted 2025 would be the decisive turning point for immersive technology, a forecast he now calls wrong
- Venice Immersive is presenting the latest smart glasses models in collaboration with AGOG
- Reilhac has identified fourteen different ways of being present in a virtual experience
- Rosenthal cites location-based free-roaming experiences as the most promising economic model today
- Netflix Houses are bringing Stranger Things and Squid Game into immersive environments
- Rosenthal notes VRChat users can have up to about 24 different avatars
Entities
Artists
- Michel Reilhac
- Liz Rosenthal
Institutions
- Venice Immersive
- Mostra del Cinema di Venezia
- Meta
- AGOG
- Ray-Ban
- Oakley
- Netflix
- Netflix Houses
- VRChat
Locations
- Venice
- Italy
Sources
- Artslife —