Raymond Depardon's Unseen Works at Visa pour l'Image in Perpignan
The 38th edition of the International Festival of Photojournalism, Visa pour l'Image, is underway in Perpignan, France, until September 13. Amidst an art world transformed by artificial intelligence, the festival reaffirms its commitment to journalistic ethics in reportage. A highlight is an unprecedented selection of photographs by Raymond Depardon, showcasing his work as a reporter. Other notable presentations include rediscovered images by Étienne Montès, and long-term investigations such as Mads Nissen's documentation of the geography of cocaine, Gerd Ludwig's coverage of the Chernobyl aftermath, and Élise Blanchard's work on the sale of young girls in Afghanistan. An anonymous photographer provides testimony on the hardships faced by Tehran's residents amid war and repression. Diego Ibarra Sanchez and Mohammad Yassine offer war diaries from the recent conflict in Lebanon, while Yoray Liberman captures how Israeli society adapts to ongoing conflict. The wars in Sudan and Ethiopia are covered by Abdulmonam Eassa and Robin Tutenge respectively, depicting the collapse of nations trapped in crisis. The article, published in L'ŒIL n°798 on September 1, 2026, is part of the magazine's Expositions section. Full access is reserved for subscribers.
Key facts
- The 38th International Festival of Photojournalism, Visa pour l'Image, is held in Perpignan until September 13.
- An unprecedented selection of Raymond Depardon's reportage photographs is presented.
- The festival continues to uphold journalistic ethics in photojournalism despite AI's impact on photography.
- Étienne Montès's photographs are brought back into the spotlight.
- Mads Nissen's work focuses on the geography of cocaine.
- Gerd Ludwig documents the consequences of the Chernobyl disaster.
- Élise Blanchard's investigation covers the sale of young girls in Afghanistan.
- An anonymous photographer testifies to the hardships of Tehran's residents.
- Diego Ibarra Sanchez and Mohammad Yassine document the recent war in Lebanon.
- Yoray Liberman shows how Israeli society adapts to conflict.
- Abdulmonam Eassa covers the war in Sudan, and Robin Tutenge covers the war in Ethiopia.
- The article was published in L'ŒIL n°798 on September 1, 2026.
Entities
Artists
- Raymond Depardon
- Étienne Montès
- Mads Nissen
- Gerd Ludwig
- Élise Blanchard
- Diego Ibarra Sanchez
- Mohammad Yassine
- Yoray Liberman
- Abdulmonam Eassa
- Robin Tutenge
- Jean-François Leroy
- Laurent Ballesta
- Hervé Lequeux
- Etienne Montès
- Michaël Yamashita
- Jérémy Lempin
- Jérôme Gence
- Elise Blanchard
- Paolo Roversi
- Dominic Nahr
Institutions
- Visa pour l'Image
- L'ŒIL
- Visa Pour l'Image
- New York Times
- Le Monde
- Financial Times
- Visa pour l'image
- RFI
- France 24
- À l’Affiche
- International Festival of Photojournalism
- Sipa Press
- Neue Zürcher Zeitung
Locations
- Perpignan
- France
- Afghanistan
- Tehran
- Lebanon
- Sudan
- Ethiopia
- French Guiana
- Japan
- Chernobyl
- India
- China
- Guinea
- Gaza
- Conakry
- Paris
- Tunisia
- Alps
- Campo Santo
- Syria
- Sweida
- Madagascar