Opinioni e recensioni

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• Kennedy Center's downfall blamed on opportunists, not collaborators opinion-review

  In an op-ed for The Art Newspaper, artist Philippa Pham Hughes argues that opportunists, not collaborators, are responsible for the Kennedy Center's decline under Donald Trump's…

• NYT Opinion: Reading Crisis Solutions Go Beyond Phones opinion-review

  A New York Times opinion piece argues that the perceived reading crisis is not caused by smartphones but by structural barriers. The author calls for building new libraries and…

• Trump's Kennedy Center takeover may still devastate institution despite name removal opinion-review

  A Washington Post article argues that even if Donald Trump's name is removed from the Kennedy Center, the damage from his takeover may be irreversible. The piece describes Trump's…

• Hyperallergic: Pollock's $181M Sale Masks Market Fragility opinion-review

  Marc Straus, a gallerist, contends that the $181.2 million auction of Jackson Pollock's 'Number 7A, 1948' at Christie's spring event is deceptive. Despite impressive headline…

• How Art and Culture Expose Power Dynamics at Society's Summit opinion-review

  Alessandro Paolo Lombardo's essay on Artribune examines how elite power structures use symbolic capital, mysticism, and transgression to maintain dominance. The Epstein files,…

• DJ Seinfeld criticizes algorithm-driven DJ industry opinion-review

  Swedish house DJ Armand Jakobsson, known as DJ Seinfeld, critiques the current state of the DJ industry in an interview. Despite headlining major festivals like Coachella and…

• Film Review: 'Verflucht normal' Fails to Break Tourette Stereotypes opinion-review

  John Davidson, a British man, becomes nervous and says things that get him into trouble. The film 'Verflucht normal' (Damn Normal) tells the story of his life with Tourette…

• French Artists Boycott Centre Pompidou Hanwha Over Israel Arms Ties opinion-review

  More than 100 artists, researchers, and art professionals from France have endorsed an open letter advocating for a boycott of the Centre Pompidou Hanwha in Seoul, which is…

• Identity and Belonging in Post-Reunification Germany opinion-review

  The author reflects on growing up in Leipzig with an East German mother and a West German father, and how their perspectives shaped his understanding of German reunification.…

• The Power of Human Creativity in an AI World opinion-review

  In an era captivated by artificial intelligence, the most potent force remains the human urge to create and connect. This opinion piece argues that despite AI's advances,…

• Australian cultural policy must prioritize artistic freedom over social cohesion, argue academics opinion-review

  Scholars from Griffith University contend that the forthcoming national cultural policy of Australia, Revive 2.0, should emphasize artistic freedom rather than 'social cohesion.'…

• Óscar Tenreiro Degwitz critiques a book on Wittgenstein as architect opinion-review

  Óscar Tenreiro Degwitz, in a blog post on veredes.es, critiques the book "Wittgenstein, arquitecto" (Galaxia Gutenberg, Barcelona 2020) by Bernardí Roig, Fernando Castro Flórez,…

• The Myth of Intent in Photography: AI and the Decisive Moment opinion-review

  David M. M. Taffet argues that photography's value lies not in the instant of exposure but in the later act of curation, challenging the romanticized 'Decisive Moment' myth. He…

• Vulture's Emmy Snubs: Underrated Performances Deserving Recognition opinion-review

  Vulture critics highlight overlooked Emmy-worthy performances across TV, arguing that awards season narrows too quickly around a dozen shows. They list actors like Malin Akerman…

• AI Writing Infiltrates Everyday Life and Elite Literary Spaces opinion-review

  The prevalence of AI-generated content in communication and publishing is undermining trust and critical thinking. In Johannesburg, people have turned to AI for creating refined…

• Francis Fukuyama on Trump, Russia, and Learning from History opinion-review

  In an interview with Süddeutsche Zeitung, political scientist Francis Fukuyama, known for his 'End of History' thesis, discusses the decline of the US president, Russia's…

• Jean Stafford's Critique of Norman Mailer's Marilyn Monroe Biography opinion-review

  In a 1973 Vogue article republished from the archives, novelist Jean Stafford delivers a scathing review of Norman Mailer's "Marilyn: A Novel Biography," published by Grosset &…

• Private foundations increasingly drive cultural heritage in Italy's inner areas opinion-review

  In Italy's inner areas, the boundary between public and private is blurring, especially in culture. Private entities like foundations and companies are taking on public roles in…

• Wim Wenders questions altering problematic film scenes at German Film Awards opinion-review

  At the German Film Awards gala, Wim Wenders, honored for lifetime achievement, called for a debate on how to handle problematic film scenes, referencing Nastassja Kinski's request…

• Elon Musk and French AI Entrepreneur Blame Postmodern Philosophy for Woke Ideology opinion-review

  In a recent interview, philosopher Wolfram Eilenberger discusses life's big questions, but the article also highlights a controversy where Elon Musk called Jean-Jacques Rousseau a…

• Euphoria Season Three Divides Gen Z Fans and Critics opinion-review

  Euphoria's third season has polarized audiences, with some viewers finding its storylines—Cassie's OnlyFans content, Nate's revenge scenes, Rue's drug smuggling—too extreme and…

• AI as fashion police: Can technology enforce dress codes in Tokyo's upscale venues? opinion-review

  In a column for Monocle, Tyler Brûlé humorously explores the potential of AI to solve the problem of poorly dressed diners at upscale Tokyo restaurants. He recounts a dinner at…

• Italo Svevo's Zeno and the Uselessness of Time opinion-review

  A critical analysis of Italo Svevo's novel "La coscienza di Zeno" examines the interplay of smoking, psychoanalysis, and time as expressions of ineptitude. The protagonist Zeno…

• Rachid Ouramdane reflects on five years leading Chaillot-Théâtre national de la danse opinion-review

  In an interview with Le Monde, Rachid Ouramdane, director of Chaillot-Théâtre national de la danse since 2021, assesses his first five years at the helm of the Parisian…

• Nostalgic Reflection on Life Before Computers and Digital Overload opinion-review

  In a personal essay, Eva Lewarne reflects on life before computers, describing a slower pace with typewriters, phone message machines, and face-to-face interactions. She contrasts…

• Yeon Sang-ho on Zombie Film 'Colony' and Hyperconnected Society opinion-review

  In an interview with Le Monde, South Korean director Yeon Sang-ho discusses his zombie film 'Colony', which draws inspiration from the hyperconnected society that functions as a…

• AI Film 'Dreams of Violets' Accepted to Tribeca Festival Draws Backlash opinion-review

  The AI-generated film 'Dreams of Violets' has been accepted into the Tribeca Film Festival, sparking strong criticism from PetaPixel writer Chris Niccolls. The film, produced by…

• Observatoire warns of Bolloré's media concentration threat to French cinema opinion-review

  Three representatives of the Observatoire de la liberté de création published a tribune in Le Monde warning that the hyperconcentration of media by the Bolloré group poses a risk…

• Art galleries have too many works, argues Isabel Brooks opinion-review

  Isabel Brooks critiques art galleries for displaying excessive numbers of artworks, arguing that the overwhelming volume prevents meaningful engagement. She notes that after about…

• Udo Zimmermann's 'Weiße Rose' Opera Frees Scholls from Political Myth opinion-review

  The article reviews Udo Zimmermann's opera 'Weiße Rose', which premiered simultaneously in East and West Germany in 1986. The work reinterprets the story of Sophie and Hans…

• Lebanese Artists in Exile: Neither Critical Enough Nor Critical Enough opinion-review

  Lebanese artists in exile face a double bind: their work is often deemed too critical of Israel in Germany or the US, while in Lebanon it is seen as not critical enough. The…

• Juan Canela on Museums as Spaces of Resistance and Institutional Change opinion-review

  In an interview for Artishock Revista's series on International Museum Day, Juan Canela, chief curator of the Museo de Arte Contemporáneo de Panamá (MAC Panamá), argues that…

• Gustavo Dudamel's LA Philharmonic Tenure Assessed opinion-review

  A Wall Street Journal review critiques Gustavo Dudamel's 17-season tenure as music director of the LA Philharmonic, arguing he did not mature on the podium unlike his predecessor…

• AI Writing Tools Flatten Student Creativity, NYT Opinion Finds opinion-review

  An opinion piece in The New York Times argues that AI writing tools are homogenizing student creativity. The author notes that AI-generated sentences, with their smooth…

• Arsenal's League Win as a Reflection of British Identity and Art opinion-review

  In an essay for ArtReview, Clive Chijioke Nwonka examines how Arsenal's Premier League title win on 19 May 2026 and related artworks reflect British society and racial dynamics.…

• AI-Generated Images Challenge Trust in Visual Media opinion-review

  The emergence of AI-generated visuals has transformed how photographic evidence is viewed, prompting a heightened examination of images for signs of alteration. In February,…

• Canal+ CEO Maxime Saada Defends Response to Anti-Bolloré Petition, Denies Blacklist opinion-review

  Maxime Saada, CEO of Canal+, has defended his decision to stop funding films by signatories of a petition published in mid-May that denounced the 'growing influence of the far…

• John Carney's 'Power Ballad' Examines Songwriter vs. Star opinion-review

  In John Carney's new film 'Power Ballad,' Paul Rudd plays Rick Power, an American wedding singer in Dublin whose song is stolen by a former boy-band star, Danny Wilson (Nick…

• James Lucas's 'Moss & Freud' Biopic Fails to Capture Kate Moss's Complexity opinion-review

  Philippa Snow reviews James Lucas's 2025 film 'Moss & Freud', which fictionalizes the creation of Lucian Freud's 2002 painting 'Naked Portrait' of Kate Moss. The film stars Ellie…

• Nat Barker coins 'gentleism' as a new architectural movement in the UK opinion-review

  Nat Barker, the features editor at Dezeen, has introduced the concept of 'gentleism,' a fresh architectural movement that has gained traction in the UK and beyond over the last…