Opinioni e recensioni

Storie piu recenti

• Öyvind Fahlström's 1966 Performance Analyzed for Media Activism and Pop Art Ties opinion-review

  Öyvind Fahlström's performance Kisses Sweeter Than Wine occurred in 1966 during the 9 Evenings: art&engineering festival in New York. The work employed multimedia elements,…

• Critical Essay Reassesses Capitalist Realism Exhibition and Its Art Historical Impact opinion-review

  Andrew Stefan Weiner's 2015 essay analyzes the 2013 exhibition Leben mit Pop: Eine Reproduktion des Kapitalistischen Realismus, originally presented at Kunsthalle Düsseldorf. The…

• New Yorker Critic Analyzes Diane Arbus's Humanistic Photography opinion-review

  A prominent critic from The New Yorker recently discussed the profound humanity evident in Diane Arbus's photographic work. This analysis highlights how Arbus, alongside…

• Bill Beckley's 1974/2013 photographic work featured in artcritical review opinion-review

  Bill Beckley's artwork "Roses Are, Violets Are, Sugar Are" from 1974/2013 was featured in an artcritical review published on October 3, 2015. The piece consists of Cibachrome…

• David Carrier's Critical Analysis of Bill Beckley's Artistic Practice opinion-review

  David Carrier authored a critical examination of Bill Beckley's artistic work, published on October 3, 2015, through artcritical's platform. The analysis explores Beckley's…

• Hilton Als Presents Unpublished Essay on Diane Arbus at New Museum's Visionaries Series opinion-review

  Hilton Als delivered a reading of his unpublished essay 'Diane Arbus in Manhattan' at the New Museum on September 15 as part of the Stuart Regen Visionaries Series. Throughout his…

• Artcritical's 2015 Venice Dispatches Highlight Global Exhibitions and Drawing Analysis opinion-review

  Artcritical published its second 2015 dispatch from Venice, covering multiple exhibitions across different galleries. Alison Knowles showed work at James Fuentes LLC, while Jaq…

• Franklin Einspruch Reviews Kyle Staver's Pandora Painting on Artcritical opinion-review

  Franklin Einspruch published a review of Kyle Staver's painting "Pandora" on Artcritical on September 28, 2015. The article examines Staver's contemporary interpretation of the…

• Tatiane Schilaro's Critical Analysis of William Eggleston's Photographic Work opinion-review

  Tatiane Schilaro published a critical examination of William Eggleston's photographic practice on September 24, 2015. The analysis explores Eggleston's distinctive approach to…

• Tom Csaszar's Venice Biennale Review Published on Artcritical opinion-review

  Tom Csaszar authored a review of the Venice Biennale published on September 23, 2015. The article appeared on the artcritical website, which operates on WordPress. The piece was…

• Roberto Ago critiques Italian art system ahead of Prato Forum opinion-review

  Roberto Ago, an iconologist and visual critic, published a provocative opinion piece on Artribune ahead of the Forum dell'Arte Contemporanea Italiana at the Centro per l'Arte…

• Paul Maziar reviews Clayton Cotterell's painting Days from 2015 opinion-review

  Paul Maziar authored a review of Clayton Cotterell's painting titled Days, created in 2015. The artwork measures 16 by 20 inches and was executed using acrylic on canvas.…

• Paul Maziar reviews River Keeps Talking exhibition opinion-review

  Paul Maziar authored a review of the exhibition River Keeps Talking, published on September 19, 2015. The review appeared on artcritical.com, a contemporary art publication…

• Natalie Hegert reviews Margaux Ogden's painting Desert Anxiety II from 2015 opinion-review

  Natalie Hegert published a review of Margaux Ogden's painting Desert Anxiety II on September 17, 2015. The artwork was created in 2015 using acrylic on canvas, measuring 70 by 66…

• Margaux Ogden's painting 'Cursed From the Start' exhibited at ltd Los Angeles in 2015 opinion-review

  Margaux Ogden created the painting 'Cursed From the Start' in 2015, an acrylic work on canvas measuring 48 by 44 inches. The piece was presented at ltd Los Angeles, with the…

• David Rhodes reviews Suzan Frecon's painting 'four directions' from 2005 opinion-review

  David Rhodes authored a review of Suzan Frecon's painting 'four directions' from 2005, which was published on artcritical.com on September 17, 2015. The artwork is an oil on linen…

• David Rhodes Reviews Suzan Frecon Exhibition at David Zwirner Gallery opinion-review

  On September 17, 2015, David Rhodes penned a review of Suzan Frecon's exhibition at David Zwirner Gallery for artcritical.com. Renowned for her precise use of color and form,…

• Anne Sassoon's 2015 Review of Moscow's Garage Museum of Contemporary Art opinion-review

  Anne Sassoon published a review on September 10, 2015, focusing on Moscow's Garage Museum of Contemporary Art. The article appeared on artcritical.com, a platform powered by…

• David Carrier's 2015 Review of Hilma af Klint's Monumental 1907 Painting The Ten Biggest, No 2 opinion-review

  On September 9, 2015, artcritical published a review by David Carrier examining Hilma af Klint's 1907 painting The Ten Biggest, No 2. The work, measuring 328 by 240 centimeters,…

• David Carrier's 2015 Analysis of Hilma af Klint's Early Landscape Painting opinion-review

  David Carrier published an analysis of Hilma af Klint's 1892 painting 'Spring Landscape – Scene from the Bay of Lomma' on September 9, 2015. The work, measuring 34.5 × 100 cm, was…

• David Carrier's 2015 Artcritical Review of Hilma af Klint's 'De tio största, No. 10, Alderdomen, 1907' opinion-review

  David Carrier published an analysis of Hilma af Klint's painting 'De tio största, No. 10, Alderdomen, 1907' on Artcritical in September 2015. The review examines this 1907 work by…

• Peter Malone reviews Rodríguez Calero's 1999 painting Saint Anthony opinion-review

  Peter Malone wrote a review of Rodríguez Calero's painting Saint Anthony from 1999. The artwork measures 24 by 18 inches and was posted on artcritical on September 3, 2015.…

• Pacific Northwest Art Tour: Seattle, Portland, Vancouver Galleries and Museums opinion-review

  In August 2015, a tour of art venues across the Pacific Northwest highlighted a variety of exhibitions in Seattle, Portland, and Vancouver. The Seattle Art Fair showcased…

• Miguel Horn's Obelisks Featured in Traction Company Exhibition Reviewed by Edward Epstein opinion-review

  Edward Epstein reviewed an exhibition by Traction Company featuring Miguel Horn's Obelisks from 2015. The review was published on August 25, 2015, on artcritical.com. The…

• Edward Epstein reviews Traction Company's 'Truss' installation at Pennsylvania Academy of the Fine Arts opinion-review

  Edward Epstein authored a review of the exhibition 'Truss' by Traction Company at the Pennsylvania Academy of the Fine Arts. The review was published on August 25, 2015, on…

• Edward Epstein's 2015 Review of Traction Company's subTRACTION Interior Model opinion-review

  On August 25, 2015, artcritical published Edward Epstein's analysis of Traction Company's 2013 installation subTRACTION. The work featured a scaled model of the collective's…

• Danilo Machado reviews 'Arresting Patterns' exhibition at Artspace in 2015 opinion-review

  Danilo Machado wrote a review of the exhibition 'Arresting Patterns' at Artspace. The review was published on August 24, 2015, on artcritical.com. An installation photograph by…

• Katelynn Mills on Noah Purifoy opinion-review

  Katelynn Mills wrote about Noah Purifoy on August 19, 2015. The article was published on artcritical.com, a platform powered by WordPress. The entry was posted at 1:30 am and…

• Artcritical publishes Noah Dillon's review of The End of the Tour film opinion-review

  On August 17, 2015, artcritical.com published a review by Noah Dillon about the film The End of the Tour. The article discusses the movie, which features actors Jason Segel and…

• Film 'The End of the Tour' Criticized for Reducing David Foster Wallace to Clichéd Image opinion-review

  The 2015 movie 'The End of the Tour,' featuring Jason Segel as David Foster Wallace and Jesse Eisenberg as journalist David Lipsky, depicts a 1996 interview that took place during…

• Noah Dillon reviews James Ponsoldt's film 'The End of the Tour' on artcritical opinion-review

  On August 17, 2015, artcritical published a review by Noah Dillon of the film 'The End of the Tour,' directed by James Ponsoldt. The 106-minute film, distributed by A24 Films, was…

• David Carbone draws parallels between Andrew Forge's paintings and Morton Feldman's music opinion-review

  Painter David Carbone reflects on connections between Andrew Forge's 2015 exhibition at Betty Cuningham Gallery and Morton Feldman's 2011 opera Neither. Forge's show, running from…

• Stephen Maine reviews 'Space Between' exhibition at Flag Art Foundation featuring Tony DeLap and Sarah Crowner opinion-review

  On August 12, 2015, artcritical published a review by Stephen Maine of the exhibition 'Space Between' at the Flag Art Foundation. The show included works by Tony DeLap, such as…

• Hammer Museum exhibition examines portraiture evolution, questions Christopher Williams retrospective acclaim opinion-review

  The Hammer Museum is currently presenting a photography exhibition that explores transformations in portraiture over the last four decades. A recent retrospective of Christopher…

• Katelynn Mills' Freedom Culture Exhibition Reviewed on artcritical opinion-review

  Katelynn Mills' exhibition "Freedom Culture" was reviewed on artcritical.com on July 14, 2015. The review was posted on July 24, 2015, at 2:14 pm. The artcritical website is…

• Naomi Lev Reviews Michal Helfman's Work on Artcritical opinion-review

  Naomi Lev authored a review of Michal Helfman's artistic practice, published on July 20, 2015, through the Artcritical platform. The article examines Helfman's creative output,…

• Christian Mayeur responds to Catherine Francblin's art-business critique opinion-review

  In a letter to artpress, Christian Mayeur, director of Entrepart, responds to Catherine Francblin's May 2015 article 'L’art est-il soluble dans le business ?'. Francblin had…

• Richard Prince's Instagram Practice Questioned opinion-review

  Richard Prince, known for his controversial use of Instagram, raises questions about the nature of problems in his work. The artist's engagement with the platform blurs lines…

• Richard Prince's Instagram Series Sparks Controversy Over Appropriation and Market Value opinion-review

  Richard Prince's Instagram series, featuring pigment prints on canvas of screenshots from the app with his added comments, has ignited widespread criticism for appropriation. The…

• FOX News Viewers React to Richard Prince's Instagram Paintings in 2015 opinion-review

  On July 9, 2015, commentary from FOX News patrons was posted on artcritical, responding to popular press coverage of Richard Prince's Instagram paintings. The reactions focused on…