Silvia Rampelli's L'Avvenire Explores the Dreaming Museum in Rome, Florence, Venice, and Bologna

Silvia Rampelli's performance, titled L'Avvenire, commences in a bewildering foyer, dislodging audiences from their typical stances while leaving their movements ambiguous, reminiscent of Plato's cave. Showcased at Pelanda in Rome, Cango in Florence, Forte Marghera in Mestre, and the former church of San Mattia in Bologna, the piece features three naked women on pedestals, illuminated as if they were living sculptures. This performance challenges conventional audience roles and the nighttime atmosphere of Western museums, crafting a surreal experience that probes the limits of the viewer. The title hints at a forthcoming era, resonating with themes of hope and liberation from historical confines. The varied settings exemplify a nomadic style, tailored to each location's design. This article, written by Attilio Scarpellini and Anita Romanello, was published on 11 September 2026.