ARTFEED — Contemporary Art Intelligence

Motherhood in Art: From Giotto's Madonna to Bourgeois's Spider

opinion-review · 2026-10-18

A survey showcasing artistic interpretations of motherhood ranges from Byzantine icons to modern pieces. It features Caravaggio's Madonna dei Pellegrini (1606), inspired by a courtesan, and Louise Bourgeois's spider sculpture Maman (927 x 891 x 1024 cm). Giotto's works, such as Madonna col Bambino ridente (c. 1295) and Maestà di Ognissanti (c. 1310), introduced warmth and combined gold backgrounds with robust figures. The National Gallery houses a tender Madonna col Bambino (c. 1330). Later artists like Piero della Francesca, Leonardo, Botticelli, and Rubens are included. Berthe Morisot's La culla (1872) conveys maternal anxiety, while Tamara de Lempicka's Maternità (1928) depicts motherhood as unwanted. Bourgeois, who passed away in 2010, compared her mother to a protective spider.

Fatti principali

  • Giotto's Madonna col Bambino ridente (c. 1295) in the Basilica superiore di Assisi includes one of the first smiles in art history
  • Caravaggio used a courtesan as the model for his Madonna dei Pellegrini (1606)
  • Berthe Morisot painted La culla in 1872, depicting her sister Edma and niece Blanche; it is held at the Musée d'Orsay
  • Plinio Nomellini's Prime Letture (1906) shows his wife teaching their child to read
  • Tamara de Lempicka's Maternità (1928) presents motherhood as an imposed and unwanted role
  • Louise Bourgeois's Maman measures 927 x 891 x 1024 cm
  • Bourgeois's mother died in 1932 of an unknown illness
  • Giotto's Madonna col Bambino of about 1330 is at the National Gallery in Washington

Entità

Artisti

Istituzioni

Luoghi

  • Assisi
  • Italy
  • Florence
  • Washington
  • United States
  • Paris
  • France

Fonti