Xerox Culture Reanimated in ICP's 'HARD COPY NEW YORK' Exhibition

The 'HARD COPY NEW YORK' exhibition at the International Center of Photography in New York showcases a collection curated by Aaron Stern, featuring the works of fifteen contemporary photographers who utilize xerographic techniques. Situated on Essex Street, the exhibition highlights Daniel Arnold's collage of archival images, visible from the sidewalk. Stern opts for a material-focused display, avoiding glass for the artworks. Notable pieces include Collier Schorr's 'Pages from the script of Akerman Ballet' (2019), Thomas Ruff's 'Nudes' series (1999–2012), Zoë Ghertner's 'warm sand (or is it dirt?)' (2022) and 'Untitled (shell and belly)' (2021), Jerry Hsu's 'Untitled' (2011), Ari Marcopoulos's '2.0' (2025), and John Divola's 'Dogs Chasing My Car in the Desert' series (1996–2001). The exhibition delves into the cultural significance and authenticity discussions surrounding xerography.