Urs Fischer's Yes and LA Dust: Ephemerality Cast in Bronze
In 2013, Urs Fischer transformed the Museum of Contemporary Art (MOCA) in Los Angeles into an open studio, installing a restaurant kitchen and a grand piano alongside tons of clay, inviting over 2,500 visitors to create sculptures. Thirteen years later, twenty-five of those public-made clay works were cast in bronze and exhibited at Jeffrey Deitch in Los Angeles as part of the show 'Yes and LA Dust' (2026). The second half of the exhibition, 'LA Dust', featured hand-painted metal panels created from scans of the floor of Fischer's Los Angeles studio, reflecting viewers' faces and highlighting overlooked materials. Both exhibitions have since closed, underscoring Fischer's exploration of ephemerality versus permanence. The original 'Yes' project was held at the Geffen Contemporary at MOCA, and the bronze works were shown at Jeffrey Deitch's gallery in Los Angeles during the summer of 2026.
Key facts
- In 2013, Urs Fischer installed tons of clay at MOCA Los Angeles, inviting over 2,500 visitors to create sculptures.
- Twenty-five of the public-made clay sculptures were later cast in bronze.
- The bronze works were exhibited at Jeffrey Deitch in Los Angeles in 2026 under the title 'Yes'.
- The companion exhibition 'LA Dust' featured hand-painted metal panels made from scans of Fischer's Los Angeles studio floor.
- Both exhibitions have closed.
- The original 'Yes' project took place at the Geffen Contemporary at MOCA.
- The 2026 exhibition was titled 'Yes and LA Dust'.
- Fischer's work explores themes of ephemerality and permanence.
Entities
Artists
Institutions
- Museum of Contemporary Art (MOCA) Los Angeles
- Jeffrey Deitch
- Geffen Contemporary at MOCA
- Contemporary Art Issue
Locations
- Los Angeles
- United States