ARTFEED — Contemporary Art Intelligence

Upstate Photography Biennial showcases lesbian rebels, domesticity, and identity

exhibition · 2026-06-04

The Upstate Photography Biennial in New York presents the creations of 12 artists exploring themes of rebellion, identity, and domesticity. Among the highlights is Morgan Gwenwald's 'The Revolution Will Not Be Televised' (1974), which portrays a lesbian feminist group learning to shoot rifles. Allison DeBritz's 'I Feel Everything' (2025) critiques the media's objectification of women's bodies. Robert Kalman's portraits explore the concept of American identity. Elizabeth Pedinotti Haynes's 'Infestation' (2024) reimagines kitchen items as performance elements. Kevin Williamson examines the urban-rural dynamics of the Hudson Valley. Viktorsha Uliyanova's 'Nina' (2024) employs recycled textiles to challenge conformity. Allie Tsubota's 'Dead Letter Room' (2022) merges self-portraits with fictional letters regarding Hiroshima. Additional works include 'Night Studio' (2025), 'Placements' (2024), 'Ektachrome Archive', 'Canta y No Llores', and Meryl Meisler's nightlife photography.

Key facts

  • The Upstate Photography Biennial is held in New York.
  • Morgan Gwenwald's series documents a lesbian feminist collective learning to shoot rifles in 1974.
  • Patty Hearst's kidnapping by the Symbionese Liberation Army inspired Gwenwald's project.
  • Allison DeBritz's collages challenge mainstream media objectification of women's bodies.
  • Robert Kalman asks subjects 'What’s it like for you to be an American?' and pairs images with handwritten responses.
  • Elizabeth Pedinotti Haynes rethinks kitchen objects as performance props.
  • Kevin Williamson's images focus on the Hudson valley's urban-rural tension.
  • Viktorsha Uliyanova uses recycled textiles printed with Soviet imagery to resist Russian conformity.
  • Allie Tsubota combines self-portraits with fictional letters about the Hiroshima bombing.
  • Ann Burke Daly and Marion Belanger use digitized glass plate negatives from Harvard College Observatory.
  • Seth David Rubin constructs fractured realities via mirrors.
  • Lyle Ashton Harris's Ektachrome Archive includes self-portraits and friends from the late 1980s to 2000.
  • Luis Manuel Diaz explores migration between Michoacán, Mexico, and suburban New York.
  • Meryl Meisler documents nightlife at Le Bain in New York City.

Entities

Artists

  • Morgan Gwenwald
  • Allison DeBritz
  • Robert Kalman
  • Elizabeth Pedinotti Haynes
  • Kevin Williamson
  • Viktorsha Uliyanova
  • Allie Tsubota
  • Ann Burke Daly
  • Marion Belanger
  • Seth David Rubin
  • Lyle Ashton Harris
  • Luis Manuel Diaz
  • Meryl Meisler
  • Tamiki Hara
  • Patty Hearst
  • William Randolph Hearst

Institutions

  • Symbionese Liberation Army
  • Florida State University
  • Harvard College Observatory
  • CPW

Locations

  • New York
  • Hudson valley
  • Bronx
  • New York City
  • Michoacán
  • Mexico
  • Russia
  • Hiroshima
  • Le Bain
  • New York, NY

Sources