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Tereza Kalousová's Sorority at Clauda, Prague: Polished Wood and the Aesthetics of Control

exhibition · 2026-10-20

At Clauda in Prague, seven polished wooden spheres rest on a leather mat, showcasing Tereza Kalousová's "Sorority" series. This exhibition runs from September 16 to October 24, 2026, at Veverkova 28, open Wednesday through Saturday from 2 PM to 6 PM. Composed of wood, leather, synthetic hair, and upholstery buttons, these pieces are interpreted by Eva Slabá as a fusion of figure, furniture, and architecture. Two double-oval artworks, framed in wood, adorn the walls—one clad in navy velvet and the other in peach fabric. Slabá draws parallels between the installation and the Gilded Age architecture of New York, as well as Joseph Pilates's studio, suggesting that smoothness captivates the body. Kalousová, who splits her residence between Prague and Amsterdam, was awarded the Jindřich Chalupecký Award in 2026.

Key facts

  • Sorority runs September 16 to October 24, 2026 at Clauda, Veverkova 28, Prague 7
  • Gallery hours are Wednesday to Saturday, 2 PM to 6 PM
  • The series uses solid wood, leather, synthetic hair and upholstery buttons
  • Seven polished wooden spheres stand on a worn leather mat, five stacked, with synthetic hair hanging from the top
  • Two double-oval wall works carry upholstered pads, one navy velvet with red buttons, one peach fabric with clustered buttons
  • Eva Slabá wrote the exhibition text; Eva Rybářová took the photographs
  • Kalousová lives and works between Prague and Amsterdam and won the Jindřich Chalupecký Award in 2026
  • Slabá cites Byung-Chul Han's Saving Beauty and Psychopolitics and compares the space to the Dakota and the Osborne

Entities

Artists

Institutions

  • Clauda
  • Jindřich Chalupecký Award
  • Catapult Contemporary
  • Polity
  • Verso Books

Locations

  • Prague
  • Czech Republic
  • Amsterdam
  • Netherlands
  • Vienna
  • Austria
  • New York
  • United States
  • Dakota
  • Osborne
  • Cambridge
  • Brooklyn
  • Prague 7
  • Veverkova 28

Sources