Tang Shuo's 'Borrowed History' at Plato Gallery Reimagines Ancestral Lives Through Fictional Self-Portraits
Tang Shuo's inaugural solo exhibition in New York, titled 'Borrowed History,' will take place at Plato Gallery from October 8 to November 7. This showcase includes new oil-on-linen artworks where Tang depicts his own image to reflect on his ancestry, delving into themes of heritage and identity. A notable piece features a black serpent, symbolizing his childhood fears from his upbringing in Dashishan Village. Inspired by Gabriel García Márquez's 'One Hundred Years of Solitude,' his creations embody elements of magical realism. Once home to over two hundred people, Dashishan now has merely a dozen residents. Tang is documenting its narratives and intends to publish a historical book. The exhibition features works such as 'The Migrant,' 'The Settler,' 'The Tree Hollow I,' 'Waiting,' and 'Vessel,' all from 2026.
Key facts
- 'Borrowed History' is Tang Shuo's first solo exhibition in New York.
- The exhibition runs from October 8 to November 7 at Plato Gallery.
- Tang grew up in Dashishan Village in southern China, where his family farmed the land.
- The paintings are oil on linen and feature fictional self-portraits of the artist as his ancestors.
- Gabriel García Márquez's 'One Hundred Years of Solitude' is cited as an influence.
- Dashishan's population has dropped from over two hundred to about a dozen.
- Tang plans to publish a book documenting the village's history, calling it his 'own bible.'
- Specific works include 'The Migrant' (2026), 'The Settler' (2026), 'The Tree Hollow I' (2026), 'Waiting' (2026), and 'Vessel' (2026).
Entities
Artists
- Tang Shuo
- Gabriel García Márquez
Institutions
- Plato Gallery
- Colossal
Locations
- Dashishan Village
- China
- New York
- United States