Shunga: Japanese Erotic Art from Ukiyo-e Tradition Explored in Vienna Exhibition
In 2016, the MAK Vienna presented "Shunga—Erotic Art from Japan," which included Japanese erotic woodblock prints from the Leopold Museum, as well as pieces from the MAK collection and private holdings. Known as "spring pictures," shunga is a genre of ukiyo-e that gained popularity in East Asia, even though it faced bans in Japan. This art form made up to 50% of ukiyo-e output, crafted by prominent artists. Shunga offers a distinct Japanese perspective on sexuality, highlighting mutual consent and humor, differing from European norms. The prints served multiple roles, such as sexual education and motivation for warriors, often portraying everyday people, including depictions of same-sex relationships. Noteworthy artists featured include Katsushika Hokusai and Kitagawa Utamaro, with works dating from the 17th to 19th centuries.
Key facts
- The 2016 exhibition "Shunga—Erotic Art from Japan" was held at the MAK Vienna, featuring prints from the Leopold Museum, the MAK collection, and Viennese private collections.
- Shunga, meaning "spring pictures," is a genre of ukiyo-e that was popular in East Asia and estimated to comprise up to 50% of all ukiyo-e production.
- Despite government bans, shunga was sold unsigned under the counter, and nearly all great ukiyo-e artists produced erotic pictures.
- Shunga often incorporates humor, dialogue, and metaphors from religion, philosophy, and medicine, with an emphasis on consensus and lack of violence.
- The prints were used for viewing and sharing among friends or partners, sexual education, and encouraging warriors; they were also valued by women and found among bridal goods.
- Most shunga depict ordinary people, but courtesans and Dutch or Portuguese foreigners also appear; while mostly heterosexual, male-on-male and female-on-female encounters and masturbation are depicted.
- Characters are almost always fully clothed because nudity was not inherently erotic in Japan due to communal bathing; clothing helped identify roles and highlighted genitalia.
- Genitalia are exaggerated and positioned unrealistically to increase visibility, interpreted as a "second face" expressing primal passions that women must conceal.
Entities
Artists
- Katsushika Hokusai
- Kitagawa Utamaro
- Utagawa Kunisada
- Suzuki Harunobu
- Isoda Koryūsai
- Utagawa Kunimaro
- Vincent van Gogh
- Hiroshige
- Manet
Institutions
- MAK Vienna
- Leopold Museum
- Van Gogh Museum
- Rijksmuseum
- Leopold Privatsammlung
- Wikimedia Commons
Locations
- Vienna
- Austria
- Amsterdam
- Netherlands
- Japan
- East Asia