Rene Matić on Music, Memory, and a V&A East Commission

In an interview, artist Rene Matić shares insights about their work and a commission for V&A East Storehouse. Matić's art delves into themes of intimacy, interracial relationships, and the intertwining of histories in Britain, all framed by the idea of 'rude(ness)'—a state of interruption and in-betweenness. For the V&A East project, they are creating eight photographic light boxes influenced by reggae sound system setups, illustrating how music shapes memory and identity. Their work references subcultures, notably the skinhead movement that began in 1968, which arose from the fusion of white working-class and West Indian communities, as well as the Jamaican Rude Boy culture. Residing in east London, Matić considers the locale both a source of inspiration and context. Collaborating with the V&A East Youth Collective enriched their creative process. The commission represents a significant evolution in their practice, and Matić hopes viewers will experience joy, nostalgia, and familiarity, viewing the work as a personal challenge that invites engagement.