Paula Santomé's 'Wetlands' Explores Liminality and Patriarchy at Palacete del Embarcadero
Paula Santomé's exhibition 'Wetlands' at the Palacete del Embarcadero in Santander, Spain, delves into liminal states and the iconographic origins of patriarchy. The show features works mostly created for the occasion, using aluminum and ancient techniques like embossing and lost-wax casting. Key pieces include 'Bird Shape,' inspired by the Bird Goddess, and two sculptures referencing Ovid's 'Metamorphoses': 'Saved by a Donkey (Aftermath), 1/3' and 'Assault in Book I.' The title work 'Coroza' connects to Galician rural tradition, while 'The Mother of the Mother of the Mother' evokes matriarchal societies. The exhibition is part of the Port Authority of Santander's cultural commitment and follows Santomé winning the II Premio Mostra 'Puerto de Santander' at Artesantander 2025. A text by Chus Martínez accompanies the show.
Key facts
- Paula Santomé's exhibition 'Wetlands' is held at Palacete del Embarcadero in Santander.
- The show explores liminal states and the iconographic origins of patriarchy.
- Most works were created specifically for the exhibition.
- Materials include aluminum and techniques like embossing and lost-wax casting.
- Key works: 'Bird Shape,' 'Saved by a Donkey (Aftermath), 1/3,' 'Assault in Book I,' 'Coroza,' and 'The Mother of the Mother of the Mother.'
- The exhibition is accompanied by a text by Chus Martínez.
- Santomé won the II Premio Mostra 'Puerto de Santander' at Artesantander 2025.
- The Port Authority of Santander supports the exhibition as part of its cultural engagement.
Entities
Artists
- Paula Santomé
- Chus Martínez
- Ovid
Institutions
- Palacete del Embarcadero
- Autoridad Portuaria de Santander
- Artesantander
Locations
- Santander
- Spain
- Galicia
- Switzerland