Orlando Basulto: Cuban-Canadian Sculptor Builds a Bodily Language of Connection
Orlando Basulto, a visual artist of Cuban-Canadian heritage, perceives sculpture as a form of communication rooted in the human physique, utilizing materials such as metal, wood, concrete, clay, resin, and repurposed items. His background in visual arts, ceramics, and art therapy highlights a focus on classical anatomical study, with his figures reflecting themes of discrimination, equality, migration, diversity, and belonging. Drawing inspiration from Renaissance artists and Auguste Rodin, Basulto dissects anatomy to tackle modern dilemmas. His notable work, Ambivalence, delves into themes of duality and uncertainty, merging copper and clay to express both strength and fragility. His creative process incorporates meditation and prayer, and he dreams of crafting a monumental sculpture.
Key facts
- Orlando Basulto is a Cuban-Canadian visual artist who works in metal, wood, concrete, clay, resin, and found objects
- His education spans visual arts, art therapy, and ceramics
- He identifies Renaissance masters and Auguste Rodin as major artistic influences
- Basulto describes his style through the link between "homo" and "hand"
- His work addresses discrimination, equality, migration, diversity, and belonging
- The recent sculpture Ambivalence combines copper and clay to make strength and fragility appear simultaneously
- Ambivalence addresses what Basulto sees as the conditions of the Anthropocene
- His studio ritual begins with meditation, mindful presence, incense, and prayers before work
- Creating a monumental sculpture remains an unrealized ambition
Entities
Artists
- Orlando Basulto
- Auguste Rodin
Institutions
- AATONAU
Locations
- Cuba
- Canada
Sources
- AATONAU —