Narges Mohammadi on the never-realized ode to a dead chestnut tree
Narges Mohammadi designed a fifteen-meter-high work for a commission centered on a beloved chestnut tree that was to be felled, meant to make way for a new tree. The piece would have traced the contours of the old tree and was built from bricks made by local residents. The committee could not select the plan because the whole would have become too heavy. Mohammadi describes the rejection as a relief, saying that if she had won the commission she would have been very anxious. The article was written by Lieneke Hulshof, and the variable typeface Prophet by Dinamo was used for titles, quotes and captions. Photographs of Mohammadi's work include 'Passing Traces' by Io Sivertsen, 'In the Shadow of the Sun', 'Because you think it gives you hope' and 'A Home In Return for Silver' by Lizzy Zaanen, and 'Concrete Exchange', Stroom Den Haag, 2023, by Naomi Moonlion, courtesy Stroom Den Haag.
Key facts
- Narges Mohammadi designed a fifteen-meter-high work for a commission about a beloved chestnut tree that was to be felled
- The work was to follow the contours of the old tree and be made of bricks produced by local residents
- The committee rejected the plan because the whole would have become too heavy
- Mohammadi felt relief at the rejection and said she would have been very anxious had she won
- The commission was about love for the tree and had to make way for a new tree
- The article was written by Lieneke Hulshof
- The variable typeface Prophet by Dinamo was used for titles, quotes and captions
- Photographs include 'Passing Traces' by Io Sivertsen, works by Lizzy Zaanen, and 'Concrete Exchange', Stroom Den Haag, 2023, by Naomi Moonlion, courtesy Stroom Den Haag
Entities
Artists
- Narges Mohammadi
- Lieneke Hulshof
- Io Sivertsen
- Lizzy Zaanen
- Naomi Moonlion
Institutions
- Stroom Den Haag
- Dinamo
- Mister Motley
Locations
- Den Haag
- Netherlands