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Nancy Bowen's NUNU Fine Art Show Explores Language, Body, and History

exhibition · 2026-07-02

Nancy Bowen's solo exhibition "From A to Z and the Bodies In Between" at NUNU Fine Art in New York runs through July 25, 2026. The show features dictionary collages and sculptures that challenge patriarchal language and traditional representations of the female body. In a conversation with psychoanalyst-artist Laurence Hegarty, Bowen discusses her use of vintage dictionaries inherited from her father and grandfather, which she cuts and reassembles into color-coded word collages that disrupt conventional syntax. Her sculptures begin with body fragments—breasts, buttocks—hand-built in clay, then combined with materials like aluminum, glass, and found objects. Bowen references Luce Irigaray's call for a liberated feminine discourse and her own family history, including ancestor Samuel Sewall, a Salem Witch Trials judge. A collaboration with poet Elizabeth Willis, a descendant of an accused witch, resulted in the book "SPECTRAL EVIDENCE." Bowen describes her practice as "artist-archaeologist," letting social and political themes emerge through play. The exhibition includes works like "Upstart" (cast aluminum, cardboard, plaster) and "Topsy Turvy" (glass, epoxy clay).

Key facts

  • Exhibition: 'Nancy Bowen: From A to Z and the Bodies In Between' at NUNU Fine Art, 381 Broome St, New York, through July 25, 2026.
  • Bowen uses vintage dictionaries from her father's and grandfather's libraries to create collages that disrupt patriarchal language.
  • Bowen's sculptures begin with body fragments (breasts, buttocks) hand-built in clay, then combined with diverse materials.
  • Bowen references Luce Irigaray's 'The Sex Which Is Not One' for feminist linguistic disruption.
  • Bowen's ancestor Samuel Sewall was a judge in the Salem Witch Trials; she collaborated with poet Elizabeth Willis (descendant of an accused witch) on the book 'SPECTRAL EVIDENCE'.
  • Bowen describes her approach as 'artist-archaeologist,' allowing social and political themes to emerge through play.
  • The conversation was arranged by Two Coats of Paint between Bowen and psychoanalyst-artist Laurence Hegarty.
  • Works include 'Upstart' (2026, cast aluminum, cardboard, plaster, sand, glitter, found tiles, epoxy clay, silver leaf) and 'Topsy Turvy' (glass, epoxy clay, aluminum, mixed media).

Entities

Artists

Institutions

  • NUNU Fine Art
  • Two Coats of Paint
  • Kentler International Drawing Space
  • New York Times
  • Museum of Modern Art

Locations

  • New York
  • United States
  • 381 Broome St, New York, NY

Sources