MoMA's 'Universal Westerns' Retrospective Traces Genre's Evolution
The Museum of Modern Art is presenting 'Universal Westerns,' a retrospective screening 28 features from Universal Pictures released over 65 years. The series runs roughly a month and highlights shifts in the genre's production and reception. The western has been central to Universal since its 1912 incorporation; its first permanent set at Universal City was a western street still standing. Among the films is John Ford's first feature, 'Straight Shooting' (1917), starring Harry Carey, which already complicates the genre's hero-villain dichotomy. Ford's 'Hell Bent' (1918) uses a meta-textual framework, opening with a publisher requesting a hero who is 'as bad as he is good,' a character arc Ford later used in 'Stagecoach' (1939) to launch John Wayne. The retrospective aims to counter misconceptions that westerns are old-fashioned relics, showing their complexity and evolution.
Key facts
- MoMA's 'Universal Westerns' retrospective screens 28 features from Universal Pictures.
- The series covers films released over 65 years.
- Universal's first permanent set was a western street built in 1915.
- John Ford's first feature 'Straight Shooting' (1917) is the oldest film in the retrospective.
- Harry Carey stars in 'Straight Shooting' and 'Hell Bent' (1918).
- 'Hell Bent' opens with a publisher requesting a morally ambiguous hero.
- Ford's 'Stagecoach' (1939) used a similar character arc to make John Wayne a star.
- The retrospective aims to challenge clichéd views of westerns.
Entities
Artists
- Clint Eastwood
- John Ford
- Harry Carey
- John Wayne
Institutions
- Museum of Modern Art
- Universal Pictures
- Universal Film Manufacturing Company
Locations
- New York City
- United States