Leilah Babirye's Sculptural Ode to Queer Joy in Boston
Leilah Babirye, a sculptor originally from Uganda, relocated to the United States due to threats stemming from her sexual orientation. Her work is currently showcased in a Boston exhibition named 'Chain Saws and Joy: A Sculptor’s Evolution', which emphasizes themes of queer identity and belonging through her use of found wood and ceramics. An article published in the New York Times on September 3, 2026, explores her artistic journey, focusing on identity and resilience. As a lesbian who escaped Uganda's oppressive L.G.B.T. laws, Babirye's sculptures merge traditional Ugandan elements with modern art, reflecting the challenges faced by marginalized groups while conveying both personal and political messages. This exhibition represents a pivotal point in her artistic career.
Key facts
- Leilah Babirye emigrated from Uganda to the United States due to threats against L.G.B.T. people.
- Her art centers on queer life and belonging.
- The exhibition is titled 'Chain Saws and Joy: A Sculptor’s Evolution'.
- The exhibition is held in Boston.
- The article was published by The New York Times on September 3, 2026.
- Babirye uses materials such as found wood and ceramics in her sculptures.
- She fled Uganda because of its laws against L.G.B.T. individuals.
- Her work has been exhibited internationally.
Entities
Artists
Institutions
- The New York Times
Locations
- Uganda
- United States
- Boston