Kenjiro Okazaki's Network of Meanings at Pace London
Kenjiro Okazaki's exhibition at Pace Gallery in London features a three-panel work titled with a Latin biblical quote and lines from Gerard Manley Hopkins' 'Pied Beauty'. The work uses thick acrylic gel to evoke nature's fecundity. Okazaki, also an architect and theorist, explores time perception: each panel was produced separately over a day, with months possibly between them. Brushstrokes echo across panels but avoid overlap, emphasizing contingent proximity. The title references Isaiah 11:1 ('a rod out of the stem of Jesse') and Hopkins' poem, suggesting a tension between historical lineage and divine beauty. Okazaki invites viewers into a 'network structure' of possible meanings. The show underscores Pace's continued London presence despite scaling back.
Key facts
- Kenjiro Okazaki's exhibition at Pace Gallery, London
- Work titled with Latin from Isaiah 11:1 and Hopkins' 'Pied Beauty'
- Three panels produced separately over days, months apart
- Thick acrylic gel creates sense of nature's fecundity
- Brushstrokes echo across panels but do not overlap
- Okazaki is an architect, theorist, and artist working in robotics, costumes, set design
- Title references Jesse, father of King David, and Hopkins' concept of beauty 'past change'
- Pace Gallery maintains London presence despite scaling back
Entities
Artists
- Kenjiro Okazaki
- Gerard Manley Hopkins
Institutions
- Pace Gallery
- FAD Magazine
Locations
- London
- United Kingdom