Karl Bitter's Twelve Months Panels at The Ringling: First Study of Gilded Age Frieze
The Ringling Museum of Art is initiating its first academic examination of Karl Bitter's Twelve Months Panels, a marble frieze currently housed in Gallery 21. This artwork was originally sculpted for Collis P. Huntington's New York City mansion, which was completed in 1895 at an estimated cost of $1.5 million (approximately $48 million today). The high-relief frieze showcases twelve panels, each illustrating a month with scenes of playful children inspired by Renaissance putti. Between the monthly panels, sixteen additional works representing arts and sciences, created by Ellin, Kitson & Co., were included. After the mansion's demolition in 1926, John Ringling acquired the frieze and installed it in the Museum of Art auditorium, now known as Gallery 21. The frieze draws from the medieval 'Labors of the Months' tradition, with influences from 19th-century German calendars and children's literature. Following its 2019 reinstallation, the month panels were rearranged, and due to Gallery 21's size of approximately 2,400 square feet compared to the Main Hall's 900 square feet, some intermediate panels were replicated in plaster to accompany the marble originals. There are no surviving documents explaining Bitter's artistic decisions, and despite its significant history, the frieze has largely escaped scholarly scrutiny until now. Research remains in progress.
Key facts
- Karl Bitter (1867-1915) carved the Twelve Months Panels for the Main Hall of Collis P. Huntington's New York City mansion, completed in 1895.
- The mansion cost about $1.5 million (roughly $48 million today) and was demolished in 1926.
- John Ringling purchased the frieze, fireplace, and door surround, installing them in The Museum of Art auditorium, now Gallery 21.
- The frieze comprises twelve month panels with putti-like children and sixteen additional panels of arts and sciences by Ellin, Kitson & Co.
- The scenes derive from the medieval 'Labors of the Months' tradition, with Bitter influenced by German 19th-century calendars and children's books.
- After the 2019 reinstallation, the month panels were placed out of order, and some intermediate panels were duplicated in plaster to fill the larger Gallery 21 (about 2,400 sq ft vs. 900 sq ft).
- No document survives detailing Bitter's artistic choices, and the frieze has received almost no scholarly attention.
- This is the first study of the frieze's iconography, and research is ongoing.
Entities
Artists
- Karl Bitter
- Collis P. Huntington
- John Ringling
Institutions
- The Ringling
- Museum of Art
- The John and Mable Ringling Museum of Art
- Ellin, Kitson & Co.
- The Mariners' Museum and Park
- Hispanic Society Museum and Library
Locations
- New York City
- United States
- Newport News
- Virginia
- Sarasota
- Florida