Kandinsky's Fairy-Tale World: From Bavarian Glass to Abstract Art
Wassily Kandinsky, renowned for his abstract works and leadership of Der Blaue Reiter, also created vibrant, folk-inspired paintings before his turn to abstraction. His early style was influenced by Pointillism and Fauvism, but his canvases were steeped in the magical atmosphere of Russian folk tales. Notable works from this period include 'Couple Riding' (1906) and 'Winter Landscape' (1909), held at the Lenbachhaus Gallery in Munich and the Hermitage Museum in Saint Petersburg, respectively. Kandinsky was also a prolific writer; his 1912 book 'On the Spiritual in Art' articulated his belief that color directly influences the soul, comparing the artist's role to playing a piano. In 1918, he urged viewers to 'walk about' into unknown worlds through art. A striking example of his folk technique is 'Ship' (1918), created using Hinterglasmalerei, a Bavarian reverse oil painting on glass. This piece, from a private collection, depicts ladies, cavaliers, and horse riders in early symbolism style, which he called 'bagatelles.' Another work, 'Imatra' (1917), is housed at the Pushkin State Museum of Fine Arts in Moscow. Kandinsky's fairy-tale imagery and his theoretical writings significantly influenced the development of modern art.
Key facts
- Kandinsky was associated with Der Blaue Reiter, an avant-garde group in Munich.
- His early style was influenced by Pointillism and Fauvism.
- His paintings were immersed in Russian folk tales.
- 'Couple Riding' (1906) is at Lenbachhaus Gallery, Munich.
- 'Winter Landscape' (1909) is at Hermitage Museum, Saint Petersburg.
- He published 'On the Spiritual in Art' in 1912.
- In 1918, he used Hinterglasmalerei for 'Ship'.
- 'Imatra' (1917) is at Pushkin State Museum of Fine Arts, Moscow.
Entities
Artists
Institutions
- Der Blaue Reiter
- Lenbachhaus Gallery
- Hermitage Museum
- Pushkin State Museum of Fine Arts
Locations
- Munich
- Germany
- Saint Petersburg
- Russia
- Moscow