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José Ramón Hernández Correa on Symmetry in Architecture: From Palladio to Wright

architecture-design · 2026-09-06

In an essay featured in Veredes, architect José Ramón Hernández Correa explores the concept of symmetry in architecture, distinguishing between rigid specular symmetry and a more organic interpretation. He describes symmetry as the relationship between different parts, pointing out that while external symmetry is prevalent in animals and vehicles, interiors tend to be asymmetric. Movement often disrupts symmetry, and asymmetric interiors are usually surrounded by symmetric exteriors. He references Frank Lloyd Wright and Sáenz de Oiza, noting Wright's dislike for strict symmetry, as illustrated in Palladio's Villa Rotonda (1566-1570). Wright's Willits House (1901) showcases broader symmetry, while his Unity Temple (1905-1908) features specular symmetry. The essay, part of a series, ends with a hint about quantum physics.

Key facts

  • José Ramón Hernández Correa published an essay on symmetry in architecture on Veredes.
  • The essay contrasts specular symmetry with a broader, organic symmetry.
  • Animals, cars, ships, and planes have external symmetry but asymmetric interiors.
  • Movement requires breaking symmetry momentarily.
  • Frank Lloyd Wright disliked rigid specular symmetry in houses.
  • Andrea Palladio's Villa Rotonda (1566-1570) in Vicenza exemplifies perfect specular symmetry.
  • Wright's Willits House (1901) in Highland Park, Illinois, shows a broader symmetry.
  • Wright used specular symmetry in public buildings like Unity Temple in Oak Park (1905-1908).

Entities

Artists

Institutions

  • Veredes

Locations

  • Vicenza
  • Italy
  • Highland Park
  • Illinois
  • United States
  • Oak Park

Sources