Ilana Savdie and Chaïm Soutine Paired in New York Gallery Show on Flesh and Violence
An exhibition at a New York City gallery showcases the works of Ilana Savdie, a Colombian-American artist, alongside those of Chaïm Soutine, a Jewish painter from Belarus. Soutine's early works, created after relocating to Paris just before World War I, are described by the reviewer as possessing static shocks; he sought refuge during the Nazi occupation in 1940. In "Hanging Turkey" (circa 1925), a piece influenced by El Greco, a plucked bird resembles a decapitated angel, its beak open in a post-mortem lament. In contrast, Savdie meticulously dissects carcasses, transforming the clamor of modern life into grotesque forms. The reviewer notes a simultaneous feeling of alienation and recognition among these two eras' chimeras, highlighting Soutine's ability to evoke emotion amid chaos.
Key facts
- The exhibition pairs Ilana Savdie with Chaïm Soutine in a New York City gallery
- Soutine moved to Paris two years before World War I began
- Soutine went into hiding during the Nazi occupation in 1940
- "Hanging Turkey" (circa 1925) is on view and reflects Soutine's admiration of El Greco
- Savdie is described as a Colombian-American artist
- Soutine is identified as Jewish and Belarusian
- The reviewer felt both alienation and recognition facing the paired works
- Savdie's practice is characterized as dissecting carcasses with surgical precision
Entities
Artists
- Ilana Savdie
- Chaïm Soutine
- El Greco
- Marc Chagall
- Jacques Lipchitz
- Amedeo Modigliani
- Tsuguharu Foujita
- Albert Coombs Barnes
- David Norr
Institutions
- Hyperallergic
- Norr Cohan
- James Cohan
- École de Paris
- Yale University
- Whitney Museum of American Art
- Jewish Museum
- White Cube
- Olney Gleason
- Piano Nobile
- CULTURED
Locations
- New York City
- United States
- Paris
- France
- Belarus
- New York
- Montparnasse
- Nice
- Céret
- Colombia
- Barranquilla
- Venezuela
- Lebanon
- Egypt
- Miami