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Ibrahim Maalouf on art, architecture, and his creative process

artist · 2026-06-05

In a conversation with Beaux Arts Magazine, Lebanese-French trumpeter Ibrahim Maalouf shares insights into how his experiences in Beirut and France have influenced his artistic vision. He compares music to architecture, describing albums as territories and concerts as spaces filled with life. Among his key inspirations is painter David Daoud, whose artwork appears on his 2018 release 'Levantine Symphony No. 1', alongside Michelangelo, whose influence is evident in 'Trumpets of Michel-Ange'. Reflecting on his formative encounters with art at the Louvre, he defines art as 'what remains when everything collapses.' Maalouf also expresses a desire to collaborate with Etel Adnan and highlights the importance of improvisation in revealing truth. In an imagined museum, he would showcase Khalil Gibran's manuscript 'The Music' along with pieces by Daoud and his grandfather.

Key facts

  • Ibrahim Maalouf was born in Beirut during the civil war and raised between Lebanon and France.
  • He chose David Daoud's painting 'L'Attente' for the cover of his 2018 album 'Levantine Symphony No. 1'.
  • Maalouf describes his albums as territories and his concerts as inhabited spaces.
  • He titled another album 'Trumpets of Michel-Ange' referencing Michelangelo.
  • His favorite museums include the Louvre, Musée d'Orsay, Musée des Arts forains, Muséum d'histoire naturelle, and Cité de la musique.
  • He views his concerts as immersive installations where the audience completes the work.
  • He defines art as 'what remains when everything collapses'.
  • He would include a manuscript of Khalil Gibran's 'The Music' (1905) in his imaginary museum.

Entities

Artists

Institutions

  • Beaux Arts Magazine
  • Louvre
  • Musée d'Orsay
  • Musée des Arts forains
  • Muséum d'histoire naturelle
  • Cité de la musique

Locations

  • Beirut
  • Lebanon
  • France
  • New York

Sources