Hugo Toro's 'Ojo de Agua' Debuts at Perrotin New York
Franco-Mexican artist Hugo Toro presents 'Ojo de Agua', his first US exhibition and debut with Perrotin, at the gallery's New York location. The show features over a dozen paintings and sculptures exploring water as a metaphor for memory, transmission, and identity. Toro, who was born in Sarreguemines, France, and has never lived in Mexico, paints an emotional landscape of his maternal heritage. The exhibition's title references his maternal grandparents' village in Oaxaca, meaning 'the place where water is born'. Toro's water appears in reds, greens, and blacks rather than blue, reflecting his concept of 'pigmentogenesis' where color creates emotional reality. A central installation includes two actual chairs—one from his grandmother's house in Oaxaca, another from his French grandparents—facing each other across some 3,000 ceramic forms, symbolizing two family histories that never fully met. Toro came to painting through architecture and interior design, which he describes as a continuation rather than a break. The exhibition runs at Perrotin New York.
Key facts
- Hugo Toro's 'Ojo de Agua' is his first US exhibition and debut with Perrotin.
- The show includes over a dozen paintings and sculptures.
- Toro was born in Sarreguemines, France, and has never lived in Mexico.
- The exhibition title refers to his maternal grandparents' village in Oaxaca.
- Toro's water is depicted in reds, greens, and blacks, not blue.
- He describes his color approach as 'pigmentogenesis'.
- A central installation features two chairs from his grandparents' homes facing each other across 3,000 ceramic forms.
- Toro came to painting through architecture and interior design.
Entities
Artists
- Hugo Toro
Institutions
- Perrotin
- Whitewall
- Perrotin New York
- Hispanic Society Museum & Library
Locations
- New York
- United States
- Paris
- Mexico
- Oaxaca
- Sarreguemines
- Eastern France