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Harry Ransom Center Exhibition Explores Harry Houdini's Library and the Art of Escape

exhibition · 2026-09-21

At the University of Texas at Austin, the Harry Ransom Center is putting on an exhibition called "Houdini's Library," which will be open until January 24, 2027. This showcase dives into the collection of Harry Houdini (1874–1926), centering on themes like magic, spiritualism, and theater techniques. Houdini used these resources to craft illusions, turning his library into a central hub of knowledge. A notable 1919 letter to librarian Alfred Becks shows how much he valued his collection. The exhibition features his early performance "Metamorphosis" with his wife Bess and a June 1916 article claiming to highlight his extensive magical artifacts. It also honors Henry "Box" Brown (1816–1897) and includes prints that depict the evolution of magic. The exhibition catalog, titled Houdini's Library, is authored by curator Eric Colleary.

Key facts

  • "Houdini's Library" is on view at the Harry Ransom Center at the University of Texas at Austin through January 24, 2027.
  • Harry Houdini (1874–1926) assembled a research collection of books, manuscripts, playbills, and prints on magic, spiritualism, and stage practices.
  • In a 1919 letter to librarian Alfred Becks, Houdini wrote that during a turbulent flight to Catalina Island he thought of his wife and theatrical collection.
  • The exhibition opens with Metamorphosis, an early substitution act Houdini performed with his wife, Bess.
  • A June 1916 article in the exhibition records Houdini's claim to possess "the largest collection (private or public) in the world" of magic-related material.
  • Houdini's 1908 book The Unmasking of Robert-Houdin used his collection to expose Robert-Houdin's alleged appropriations of earlier performers' illusions.
  • Henry "Box" Brown (1816–1897), born into slavery in Virginia, escaped in 1849 by being shipped in a wooden crate to Philadelphia and later reenacted his liberation onstage.
  • The catalog Houdini's Library: Inside the Spellbinding Collections of the Great Illusionist was published in conjunction with the exhibition, with author and curator Eric Colleary photographing himself before Houdini's grave in New York.
  • The Ransom Center's Gutenberg Bible (1454–56) is one of only twenty complete surviving copies.
  • Nicéphore Niépce's View from the Window at Le Gras (1827), regarded as the earliest surviving camera obscura photograph, is displayed nearby.

Entities

Artists

Institutions

  • Harry Ransom Center
  • University of Texas at Austin
  • Glasstire
  • Musée McCord Stewart
  • Davenport Brothers

Locations

  • Austin
  • United States
  • Catalina Island
  • Virginia
  • Philadelphia
  • Great Britain
  • New York

Sources