Gabriella Furno on Sculpture, Dance and the Body as Architecture
At the age of five, sculptor Gabriella Furno embarked on her journey in dance, followed by sculpture at eight, inspired by her grandmother, who is also a sculptor. She creates large-scale pieces that treat the body as a form of architecture, considering size to be crucial. Her artistic process involves sketches and drawings, as she engages deeply with models and materials to harness unseen energy. The colors in her sculptures represent this energy, reflecting the balance of yin and yang. She juxtaposes rigid metal with pliable clay and utilizes plaster for molds. Some pieces are cast in bronze and aluminum, while others are pending expensive resin casting as she seeks collaborators. Dividing her time between Palermo and Berlin, her studio Schattenlos promotes artistic dialogue. Her return to Sicily has intensified her focus on Mediterranean migrants. Photography by Gabriele Lentini.
Key facts
- Furno began dancing at around five years old and made her first sculpture at eight
- Her grandmother encouraged her to pursue sculpture, with two generations of sculptors in the family
- She works between Palermo and Berlin, where her studio is named Schattenlos, meaning "without shadows"
- Her materials pair metal with clay, and she uses plaster to make moulds
- Some sculptures have been cast in aluminium and bronze; others remain in resin awaiting casting
- She is seeking support and production partners to fund metal casting, with stainless steel as a long-term goal
- She connects her use of colour and opposing forces to yin and yang and the balance of fire and water
- Photography for the feature is by Gabriele Lentini
Entities
Artists
- Gabriella Furno
- Gabriele Lentini
Institutions
- Schattenlos
- SLEEK
Locations
- Palermo
- Italy
- Berlin
- Germany
- Sicily
- Mediterranean
- Africa