Fresu and Ninfa: Photography and Jazz

The article 'Fresu e Ninfa: fotografia e jazz' by Massimo Donà, published on doppiozero.com on March 8, 2026, explores the intersection of photography and jazz through the work of Paolo Fresu and the Ninfa project. The piece opens with a striking black-and-white photograph of legendary bassist Ron Carter, known for his refusal to play electric bass, captured almost from behind and relegated to the lower left corner of the page, creating an oblique composition that challenges conventional visual narratives. The image, dominated by black, negates color and life, yet captures a decisive moment. The article discusses Carter's role as a timekeeper in jazz, paralleling it with the photographer's ability to freeze time. The text likely delves into the collaborative project between Fresu, a renowned trumpeter, and Ninfa, possibly a photographer or visual artist, examining how their work merges auditory and visual improvisation. The publication date is set in the future, suggesting a speculative or planned event. The article appears in the 'other' category as it blends criticism and cultural commentary without fitting neatly into standard art news categories.