Edith Pritchett's Modern Bayeux Tapestry Chronicles Online Battles
British cartoonist Edith Pritchett has created a contemporary parody of the Bayeux Tapestry, titled 'The trollers v the scrollers', which satirizes modern digital life and its conflicts. The work, dated 2026, serves as an alternative to the original 11th-century embroidery, which is currently on display at the British Museum in London. Pritchett's version captures the 'many battles of our times', focusing on online trolling and scrolling culture. The piece was published by The Guardian as an interactive feature, allowing readers to explore the modern tapestry digitally. The original Bayeux Tapestry, a UNESCO-listed masterpiece, depicts the Norman conquest of England in 1066. Pritchett's reinterpretation updates this historical narrative to reflect contemporary societal issues, blending humor with social commentary. The work is part of a tradition of artistic responses to the Bayeux Tapestry, which has inspired numerous parodies and adaptations. The Guardian's interactive presentation highlights the tapestry's enduring relevance and its ability to be reimagined for modern audiences.
Key facts
- Edith Pritchett created a modern parody of the Bayeux Tapestry titled 'The trollers v the scrollers'.
- The work is dated 2026 and was published by The Guardian.
- It is an interactive feature on The Guardian's website.
- The original Bayeux Tapestry is an 11th-century artwork currently exhibited at the British Museum in London.
- Pritchett's version captures the 'many battles of our times', focusing on online trolling and scrolling.
- The original tapestry depicts the Norman conquest of England in 1066.
- The work is a contemporary take on a historical masterpiece.
- The Guardian's interactive presentation allows readers to explore the modern tapestry digitally.
Entities
Artists
- Edith Pritchett
Institutions
- The Guardian
- British Museum
Locations
- London
- United Kingdom