Doris Salcedo Transforms Domestic Objects into Monuments of Mourning at White Cube New York

Wooden tables and chairs fused with concrete and lead anchor Doris Salcedo's solo presentation at White Cube New York, on view at 1002 Madison Avenue on the Upper East Side. The Colombian sculptor's recent installations gather altered domestic furniture, silk threads woven through bone, and burnt organic textures, each material deployed to mark the voids left by political violence, forced migration, and displacement. Across a career exceeding three decades, Salcedo has built a visual language from everyday items recast as sculptural testimonies; here the physical manipulation of substance stands as metaphor for psychological and bodily scars. Three threads organize the show: an architecture of absence, in which furniture records missing persons; material as metaphor, where organic and industrial elements meet in tension between human fragility and collective trauma; and collective mourning, with installations that slow visitors into quiet remembrance. Positioned within the gallery's sleek architecture, the works let shadow and negative space carry emotional weight, while needle-and-silk studies evoke the laborious work of healing. Admission is free; hours run Tuesday through Saturday, 10:00 AM to 6:00 PM.