Danny Bredar's "Demand and Supply" Opens at Met Him Pike Hoses in Chicago

Key facts

• Danny Bredar's "Demand and Supply" is a two-part exhibition at Met Him Pike Hoses in Chicago, run by Julian Van Der Moere.
• Part One consists of eight artworks installed as a guerrilla intervention on a planetarium beach and within a white cube gallery model.
• Part Two comprises eight artworks inside the gallery, with the first room focusing on oppression and distraction.
• Works include "Reload," "General Strike?," "Peter Thiel's Signature," "Ligase," "Witness of Reality, German I, and German II," and "Floating Double Canon Lens."
• Part Two features "Artist's Name Verso of George Floyd Excerpt," a graffitied board from the 2020 summer protests, and "Gate," installed in the threshold between rooms.
• "The Webs of Doubt: Vinculum- and Verfallen-Codes for Anomalies" is a long sequence of 'obliterature' produced since 2014, including the artist book "Approaching Capture" with 516 scans from the Brooklyn Museum's file cabinets.
• Other elements include "Wenzel Beckenbauer," "Foxy Artist," "This Full Void," and "Progression in the System," as well as postcards with architectural translations of poems by Wallace Stevens, Velimir Khlebnikov, W. H. Auden, and John Ashbery.
• The final two artworks, "Proxy Limit" and documentation of Part One, are in the office, with the latter inverting the 1968 motto: "Sous la plage, les pavés."