ARTFEED — Contemporary Art Intelligence

Christa Jeitner's Textile Work Zakopane Tree Explores Ecology and Politics in GDR Era

artist · 2026-03-29

Christa Jeitner, an artist from the German Democratic Republic, created the textile piece 'Zakopane Tree' between 1979 and 1980. This large-scale macramé work, measuring 303 by 220 by 100 centimeters, is made from natural linen yarn and resembles a tree form. It was first displayed in 1981 at the Otto-Nagel-Haus in Berlin and later at the Quadriennale in Erfurt. The Berlin Applied Arts Museum acquired it in 1982 or 1983 using funds from the federal German Cultural Fund. Jeitner's artistic practice focused on textile art, influenced by Polish artists and the Bauhaus movement, and she often addressed themes of nature and environmental issues. During the 1970s and 1980s, the GDR government restricted discussions about ecological problems like forest dieback, leading artists like Jeitner to use abstraction to critique these issues subtly. Her work was monitored by the Stasi, the state security service, due to her environmental activism. Jeitner also worked as a textile restorer, which provided her with some artistic freedom under the socialist regime. Her piece 'Zakopane Tree' is documented in a photograph by Georg Eckelt, showing it installed outdoors, emphasizing its connection to the natural world. This work reflects broader trends among women artists in Eastern Europe who used textiles to explore political and ecological themes while navigating state censorship.

Key facts

  • Christa Jeitner created 'Zakopane Tree' from 1979 to 1980 in the GDR.
  • The work is a macramé textile piece made of linen yarn, measuring 303 x 220 x 100 cm.
  • It was first exhibited in 1981 at the Otto-Nagel-Haus in Berlin and in 1982 at the Quadriennale in Erfurt.
  • The Berlin Applied Arts Museum acquired the piece in 1982/1983 with support from the federal German Cultural Fund.
  • Jeitner's art was influenced by Polish textile art and the Bauhaus movement.
  • The GDR government censored discussions on environmental issues like forest dieback in the 1980s.
  • Jeitner was monitored by the Stasi for her environmental activism and artistic expressions.
  • She worked as a textile restorer, which allowed her to continue her artistic practice under state restrictions.

Entities

Artists

Institutions

  • Berlin Applied Arts Museum (Kunstgewerbemuseum)
  • Otto-Nagel-Haus
  • Academy of Arts in West Berlin
  • Institute for the Preservation of Historical Monuments
  • GDR’s Association of Visual Artists

Locations

  • German Democratic Republic (GDR)
  • Berlin
  • Erfurt
  • Zakopane
  • Poland
  • West Berlin

Sources