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CDLM Spring 2027: Chris Peters Presents Non-Show Show in Glass-Encased Store Windows

other · 2026-09-15

Chris Peters's brand CDLM has unveiled its Spring 2027 ready-to-wear collection through a "non-show show," with models photographed inside glass-encased store windows before a non-audience. The presentation, captured over the summer, features reflections of camera flashes and photographer outlines on the panes, deliberately reversing the sharp clarity of traditional lookbook images. Peters, who previously designed alongside partner Shane Gabier at Creatures of the Wind, now operates outside the seasonal system: collections are numbered rather than labeled by season, and drops occur when he deems them ready, as do deliveries. Guiding principles include a love of uniforms, multifunctional garments, and "sartorial gestures"—such as shrunken woolen tights wearable traditionally, as a base layer, or as pants. The lineup includes military coats, elongated shirts, roomily-cut pants, T-shirt dresses with gently askew silhouettes, and coats made from upcycled, pieced-together deadstock fur scraps. Fabrics mix deadstock, found, and new materials. The overall aesthetic carries an intentional "offness" and subtle nostalgia, echoing the cerebral anti-glamour of Margiela. The photographic approach may read as an outsider's mischievous commentary on the relentless cycle of fashion shows, social media imagery, and a fracturing retail landscape. Like the clothes, the images are oddly alluring and buck convention.

Key facts

  • CDLM is Chris Peters's brand, formerly designed with Shane Gabier at Creatures of the Wind.
  • The Spring 2027 ready-to-wear collection was presented as a "non-show show" with models in glass-encased store windows.
  • Collections are numbered, not labeled by season, and dropped when ready.
  • Guiding principles include uniforms, multifunctional items, and "sartorial gestures."
  • The collection features military coats, elongated shirts, roomily-cut pants, T-shirt dresses, and upcycled deadstock fur coats.
  • Fabrics include deadstock, found, and new materials.
  • The aesthetic evokes the cerebral anti-glamour of Margiela.
  • The presentation may be interpreted as commentary on fashion shows, social media, and retail fragmentation.

Entities

Artists

  • Chris Peters
  • Shane Gabier
  • Margiela

Institutions

  • CDLM
  • Creatures of the Wind
  • Vogue

Sources