Cathy Marston Reworks 'A Midsummer Night's Dream' for Zurich Season Opener
Cathy Marston has created a new production of "A Midsummer Night's Dream" that opened the season in Zurich, staged as a 21st-century reinterpretation of Shakespeare's comedy. The production places elves in combat boots and puts a DJ in the orchestra pit. The staging is framed by its creators as an answer to the growing presence of artificial intelligence in the arts: where art once stood, artificial intelligence increasingly appears, but the theatre is presented as an exception. The production's approach is described as achieving enchantment through disenchantment, an honest illusion in which theatrical artifice is openly displayed rather than concealed. The work thus positions live performance as a counter-model to AI-driven cultural production, demonstrating how the stage can generate magic without hiding its own mechanisms. The season opening in Zurich serves as the venue for this reinterpretation, with Marston responsible for the new staging. The article presenting the production appears in the Feuilleton section of the Neue Zürcher Zeitung.
Key facts
- Cathy Marston created a new production of "A Midsummer Night's Dream" in Zurich.
- The production opened the season in Zurich.
- Elves appear in combat boots in the staging.
- A DJ is placed in the orchestra pit.
- The production is described as a 21st-century reinterpretation of "A Midsummer Night's Dream".
- The staging is positioned as theatre's answer to the rise of artificial intelligence in the arts.
- The production aims to enchant through disenchantment, described as an honest illusion.
- The article about the production was published by the Neue Zürcher Zeitung.
Entities
Artists
- Cathy Marston
- William Shakespeare
Institutions
- Neue Zürcher Zeitung
Locations
- Zurich
- Switzerland