ARTFEED — Contemporary Art Intelligence

Cassils on Visibility Ethics and the Responsibility of the Gaze

artist · 2026-07-24

In an interview with Artribune, Montreal-born artist Cassils (b. 1975) discusses their practice spanning performance, photography, film, sound, and sculpture. They describe the body as a "somatic instrument" and a barometer of the socio-political moment. Cassils explains their choice to obscure the body (ice, fire, darkness) as a response to the scrutinizing gaze on trans bodies and the politics of visibility. In "Inextinguishable Fire" (2015), the artist holds fire for about 25 seconds, requiring total presence to avoid inhaling flames. "Becoming an Image" (2012) transfers a retinal burn into the viewer's body, making them custodians of a living archive. Cassils insists that documentation is not neutral and that a percentage of sales proceeds goes to grassroots community organizations. They emphasize that identity manifests in the work but must remain broader than any single grid. The interview was conducted by Antonino La Vela.

Key facts

  • Cassils was born in Montreal, Canada in 1975.
  • Their practice includes performance, photography, film, sound, and sculpture.
  • Cassils describes the body as a 'somatic instrument' and a barometer of socio-political tension.
  • In 'Inextinguishable Fire' (2015), the artist holds fire for about 25 seconds without inhaling.
  • 'Becoming an Image' (2012) creates a retinal burn in the viewer, making them custodians of the archive.
  • Cassils obscures the body to counter the scrutinizing gaze on trans bodies.
  • A percentage of sales proceeds is directed to grassroots community organizations.
  • The interview was conducted by Antonino La Vela for Artribune.

Entities

Artists

Institutions

  • Artribune

Locations

  • Montreal
  • Canada
  • United States

Sources