ARTFEED — Contemporary Art Intelligence

Attersee Spring 2027 Ready-to-Wear Draws on 1990s Toronto Bike Messengers

other · 2026-09-11

Isabel Wilkinson Schor designed the Attersee Spring 2027 ready-to-wear collection in her air-conditioned atelier on a quiet Upper East Side street, where she continually considers the future of American sportswear. This season, however, she turned to nostalgia. The starting point was a group of photographs by Trevor Hughes, whose bike-messenger series shot in 1990s Toronto demonstrated an instinctive grasp of styling. Those images, which blended athletic function with inherent fashion—such as a zip-up minidress worn over bike shorts—became the foundation for the collection. The designs include subtle references to messenger deliveries: a plaid office-paper pattern in the yellow and pink of carbon-copy sheets, pleated and held by grommets inspired by binder clips. Viscose cyclist tops feature slight mock necks and elbow-length sleeves. A cinched micro bouclé blazer with matching trousers shifts the sporty look into officewear, a silhouette also seen in a black and navy maxidress version of the cyclist’s top with contrasting white piping. More understated is the technical satin used for an A-line skirt and powder pink pants. A semisheer champagne nylon-silk matching set draws on Anni Albers and Otti Berger’s cellophane-chenille invention from the Bauhaus period. The most playful pieces are squiggly blue and white designs that imitate the print of a reusable shopping bag.

Key facts

  • Isabel Wilkinson Schor is the designer behind Attersee.
  • The Spring 2027 ready-to-wear collection was developed in an Upper East Side atelier.
  • The collection was inspired by Trevor Hughes’s bike-messenger photographs from 1990s Toronto.
  • Hughes’s images included a zip-up minidress styled over bike shorts.
  • Designs feature a plaid office-paper pattern in yellow and pink carbon-copy sheet colors.
  • Grommets inspired by binder clips fasten pleated pieces.
  • Viscose cyclist tops have slight mock necks and elbow-length sleeves.
  • A semisheer champagne nylon-silk matching set references Anni Albers and Otti Berger’s Bauhaus-era cellophane-chenille invention.

Entities

Artists

  • Isabel Wilkinson Schor
  • Trevor Hughes
  • Anni Albers
  • Otti Berger

Institutions

  • Attersee
  • Bauhaus

Locations

  • Upper East Side
  • Toronto
  • Canada

Sources