Aramis Navarro's "Babelibabibliotheca" at Doppelganger Gallery, St. Gallen
The exhibition "Babelibabibliotheca" by Aramis Navarro at St. Gallen's Doppelganger Gallery delves into the creation of content through algorithmic frameworks, drawing inspiration from Jorge Luis Borges's "The Library of Babel." Utilizing AI algorithms and digital techniques, Navarro references concepts such as "Moltbook," "Crustafarianism," and "AI Psychosis." His use of etching and cyanotype results in intricate compositions filled with intertwined narratives and symbols. By invoking Édouard Glissant's notion of the "right to opacity," he implies that ambiguity can challenge authority. The second series, "RSI – Recursive Self-Improvement," illustrates AI's self-optimization, paralleling the Habsburg dynasty's inbreeding and its associated deformities, suggesting that technology shapes beliefs and values rather than merely forecasting AI's trajectory.
Key facts
- Aramis Navarro's exhibition "Babelibabibliotheca" is on view at Doppelganger Gallery in St. Gallen.
- The title plays on Jorge Luis Borges's short story "The Library of Babel."
- Navarro uses AI algorithms, language models and digital processes with unpredictable outcomes.
- "Moltbook," described as a social network for AI agents, is a point of departure for the works.
- Fictional belief systems such as "Crustafarianism" and the phenomenon of "AI Psychosis" also inform the pieces.
- The artist draws on Édouard Glissant's notion of a "right to opacity."
- The series "RSI – Recursive Self-Improvement" uses the Habsburg lineage and the Habsburg jaw as a metaphor for self-optimising AI.
- Navarro's media include etching, cyanotype and assemblage.
Entities
Artists
- Aramis Navarro
- Jorge Luis Borges
- Édouard Glissant
Institutions
- Doppelganger Gallery
Locations
- St. Gallen
- Switzerland