Agnes Scherer's 'Three Wicked Games' at Salzburger Kunstverein
Agnes Scherer's exhibition 'Three Wicked Games' at Salzburger Kunstverein reinterprets two Francisco Goya tapestry cartoons—'Blind Man's Bluff' (1789) and 'The Straw Manikin' (1791)—as ghostly puppet-theatre. Scherer quotes the compositions almost one-to-one but empties the figures of bodily fullness, reflecting a contemporary society she describes as 'undead': not dead because it keeps moving, not alive because movement alone is not life. The exhibition explores how power becomes ornamental under late capitalism, where agency is promised at the moment it is withdrawn. Curated by Mirela Baciak, the show was commissioned and produced by Salzburger Kunstverein.
Key facts
- Exhibition titled 'Three Wicked Games' by Agnes Scherer
- Venue: Salzburger Kunstverein, Salzburg
- References two Goya tapestry cartoons: 'Blind Man's Bluff' (1789) and 'The Straw Manikin' (1791)
- Scherer translates the compositions into a ghostly puppet-theatre with hollowed figures
- Artist states she no longer wants to make whole figures; the intact body no longer feels right
- Scherer describes contemporary society as 'undead'
- Curated by Mirela Baciak
- Commissioned and produced by Salzburger Kunstverein
Entities
Artists
- Agnes Scherer
- Francisco Goya
- freakygreenfish
Institutions
- Salzburger Kunstverein
Locations
- Salzburg
- Austria