Opinioni e recensioni

Storie piu recenti

• Marina Abramović accused of racism over Aboriginal 'dinosaur' remarks opinion-review

  Marina Abramović faces backlash for racist comments about Aboriginal Australians in her memoir 'Walk Through Walls', published by Crown Archetype in October 2016. Writer Rachel…

• Amazon's TV expansion and ISIS's social media strategy analyzed opinion-review

  Lorenzo Taiuti's editorial examines two anomalies of the internet: Amazon's rapid growth in television and ISIS's success in social media warfare. Amazon, already active in TV for…

• Marcello Faletra on the 'Communism of Forms' and Artistic Borrowing opinion-review

  In an editorial for Artribune Magazine #31, Marcello Faletra explores the concept of a 'communism of forms' — a pre-modern practice where artists freely borrowed poses and…

• Artribune survey: Is public art a common good? opinion-review

  Artribune's inquiry gathers perspectives from artists, curators, and critics on the limits and potential of public art. Pablo Helguera critiques public art as often mediocre and…

• Saul Ostrow Reviews William Corwin Exhibition at Geary Contemporary in 2016 opinion-review

  Saul Ostrow authored a review of William Corwin's exhibition at Geary Contemporary in New York. The review was published on August 11, 2016, at 12:34 pm. The exhibition featured…

• Why Rothko Resonates but Stockhausen Doesn't: Art vs. Music Accessibility opinion-review

  David Stubbs' book 'Fear of Music' questions why Rothko's paintings are widely embraced while Stockhausen's avant-garde music remains obscure, attributing this to visual media's…

• Marco Senaldi critiques Michael Benedikt's utopian cyberspace vision opinion-review

  In an editorial for Artribune Magazine #31, philosopher and art theorist Marco Senaldi excoriates the early cyber-utopianism of Michael Benedikt's 1991 text "Cyberspace." Senaldi…

• Italian Court of Auditors Criticizes Della Valle's Colosseum Sponsorship opinion-review

  The Italian Court of Auditors has expressed strong reservations about the sponsorship deal between Tod's CEO Diego Della Valle and the Colosseum restoration project. In a formal…

• Christian Caliandro's 'Cespiti (VI)' Explores an Obscure Realism Through Art and Urban Observations opinion-review

  In this installment of his 'Cespiti' series on Artribune, Christian Caliandro reflects on a form of 'obscure realism' that breaks through conventional stylistic and linguistic…

• Lorenzo Taiuti on Zuckerberg, Eco, and the Illusions of Tech opinion-review

  In an article for Artribune Magazine #30, critic and media scholar Lorenzo Taiuti critiques the persistent pursuit of 360-degree 3D vision technology, comparing modern devices…

• Paolo Nori on Virtual Reality and the Writer's Craft opinion-review

  Writer Paolo Nori reflects on his difficulty understanding modern concepts like 'virtual reality' and 'live delayed broadcast,' which he finds contradictory. He connects this to…

• Peter Malone reviews landscape exhibition at Marlborough Gallery opinion-review

  Peter Malone authored a review of a landscape exhibition at Marlborough Gallery. The review was published on August 2, 2016, through artcritical. The article discusses the…

• Rome's Failure as a Cultural Capital: A Critique by Fabio Severino opinion-review

  Fabio Severino, a senior advisor at Oltre Venture, argues that despite its rich historical background, Rome falls short of being a genuine cultural city when compared to…

• Christian Caliandro critica la cultura asservita al neoliberismo su Artribune opinion-review

  In an article featured in Artribune in August 2016, art historian Christian Caliandro (1979), who teaches at the Accademia di Belle Arti in Florence and serves on the scientific…

• Stefania Zuliani on Naples' Contemporary Art Scene opinion-review

  Stefania Zuliani discusses Naples' contemporary art evolution, starting with the 1995 Piazza Plebiscito art festivals inaugurated by Mimmo Paladino's 'Montagna di sale'. She…

• Nicole Kaack's 'Ties That Bind' Reviewed on Artcritical opinion-review

  Nicole Kaack's work was featured in a review published on July 29, 2016, by Artcritical. The piece examines Kaack's artistic practice, which explores connections and relationships…

• David Rhodes reviews Stephen Westfall's exhibition at artcritical opinion-review

  David Rhodes authored a review of Stephen Westfall's work published on July 28, 2016. The piece appeared on artcritical, a platform powered by WordPress. This critical assessment…

• Superheroes Reflect US Political Divide in 2016 Election opinion-review

  An analysis by Aldo Premoli on Artribune explores how American superhero narratives mirror the country's political and cultural debates, particularly in the context of the 2016…

• Marco Senaldi on the Paradox of Photographing Auschwitz opinion-review

  Marco Senaldi, a philosopher and contemporary art theorist, reflects on the challenge of representing Auschwitz. He describes the initial disorientation upon arrival, where the…

• Christian Caliandro: Artists must revolutionize life and economy opinion-review

  Christian Caliandro argues that authentic cultural innovation requires changing one's life, not just producing art within the existing system. He critiques the art market, stating…

• Bocelli concert at Roman Forum sparks heritage debate opinion-review

  The upcoming Music for Mercy concert at the Roman Forum on July 26, 2016, featuring Andrea Bocelli and other international artists alongside the Orchestra del Teatro dell'Opera di…

• Donne e pubblicità, tra corpo e cervello: quattro casi recenti opinion-review

  L'articolo analizza quattro casi recenti di comunicazione pubblicitaria in Italia e Regno Unito, con focus sulla rappresentazione femminile. Edison lancia la campagna 'Pretty…

• Michele Dantini on Longhi, Sloterdijk, and the Critique of Ideology opinion-review

  In an article for Artribune Magazine #30, art historian Michele Dantini examines how Roberto Longhi's 1950 essay "Proposte per una critica d'arte" can renew ideology critique,…

• Noah Dillon's Golden Eggs Exhibition Reviewed on artcritical opinion-review

  Noah Dillon's exhibition "Golden Eggs" was reviewed on artcritical.com on July 22, 2016. The review was posted on July 21, 2016 at 4:43 pm. The website artcritical is powered by…

• Opinion: Fuksas's Nuvola in Rome – A Masterpiece or a Misstep? opinion-review

  Architecture critic Luigi Prestinenza Puglisi defends Massimiliano Fuksas's Nuvola (Cloud) convention center in Rome's EUR district, arguing that despite widespread criticism, the…

• Mira Dayal reviews Yvonne Rainer's work on artcritical opinion-review

  Mira Dayal wrote about Yvonne Rainer's artistic practice on artcritical. The article was posted on July 18, 2016. Yvonne Rainer is a choreographer and filmmaker whose work has…

• Collin Sundt Reviews Steven Maclver's Work on artcritical opinion-review

  Collin Sundt authored a review of Steven Maclver's artistic practice, published on artcritical on July 18, 2016. The article was posted at 11:25 pm and remains accessible through…

• Candy Koh reviews Isabel Lewis's work on artcritical opinion-review

  Candy Koh wrote a review of Isabel Lewis's artistic practice, published on artcritical on July 15, 2016. The article was posted at 4:41 PM and is available through the website's…

• David Rhodes reviews Steven Parrino's 1989-95 painting 'Touch and Go' opinion-review

  David Rhodes authored a review of Steven Parrino's painting 'Touch and Go' from 1989-95. The artwork measures 96 1/16 by 72 inches and uses enamel on canvas. Parrino's estate and…

• David Rhodes reviews 'Shapeshifters' exhibition at Luhring Augustine gallery opinion-review

  David Rhodes authored a review of the exhibition 'Shapeshifters' at Luhring Augustine gallery. The review was published on July 15, 2016, through the artcritical platform. An…

• Cultural reports lack reliable data, risking a bubble for Creative Industries opinion-review

  Stefano Monti argues that the Cultural and Creative Industries (CCI) cluster and the recognition of culture's cross-sectoral impacts are powerful political and economic ideas, but…

• Edward Epstein reviews Tim Portlock's 2015 archival pigment print Yellow Dancer opinion-review

  Edward Epstein authored a review of Tim Portlock's 2015 work Yellow Dancer, an archival pigment print measuring 54 by 72 inches. The piece was created in 2015 and is represented…

• Edward Epstein reviews Tim Portlock's 2011 work 'Salon' in 2016 artcritical post opinion-review

  Edward Epstein authored a review of Tim Portlock's artwork 'Salon' from 2011, published on artcritical.com on July 8, 2016. The work is an archival pigment print measuring 54 by…

• Rebecca Allan's Review of Louise Fishman's Exhibition 'Dybbuk' on artcritical opinion-review

  On July 7, 2016, artcritical published a review by Rebecca Allan focusing on Louise Fishman's exhibition titled 'Dybbuk'. The review analyzed Fishman's abstract paintings,…

• Season Finale of The Review Panel Podcast at Brooklyn Public Library Features Discussion of Multiple Exhibitions opinion-review

  On June 10, 2016, the season finale of The Review Panel podcast took place at the Brooklyn Public Library, featuring moderator David Cohen alongside guests Christina Kee, Mónica…

• Sgarbi Criticizes Raggi's Renaming of Cultural Department opinion-review

  Vittorio Sgarbi, in an open letter published on Il Giornale, criticized newly elected Rome mayor Virginia Raggi (M5S) for her plan to rename the Assessorato alla Cultura…

• Tim Barry's Critical Analysis of Paul Lee's Artistic Practice opinion-review

  Tim Barry authored a critical examination of Paul Lee's artistic work, published on July 4, 2016. The analysis appeared on artcritical.com, a platform powered by WordPress.…

• Gianmaria Ajani on Legal Challenges in Contemporary Art opinion-review

  In a 2016 interview, Gianmaria Ajani discusses the evolution of legal frameworks for contemporary art since co-authoring the 2010 Manifesto for the Rights of Contemporary Art with…

• Jessica Holmes Reviews 'With Passion' Exhibition at Slag Gallery opinion-review

  Jessica Holmes published a review on July 1, 2016, analyzing the exhibition 'With Passion' at Slag Gallery. The review appeared on artcritical.com, a contemporary art publication…

• Daniel Pommereulle: Life and Work Indistinguishable opinion-review

  A review in artpress no. 435 (July-August 2016, p. 79) by Ferdinand Gouzon examines the figure of Daniel Pommereulle (1937-2003), an artist whose life and work are so intertwined…