Opinioni e recensioni
Opinioni e recensioni
Editoriali, recensioni critiche, analisi, commenti e punti di vista sul mondo dell'arte contemporanea.
Storie piu recenti
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Mono No Aware: Jazz, simulazione e cambiamento nell'arte contemporanea
opinion-review
Christian Caliandro pubblica su Artribune Magazine #35 un saggio che intreccia il concetto giapponese di Mono No Aware con la musica jazz per criticare le contraddizioni del…
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John Mendelsohn Reviews DeShawn Dumas's Work
opinion-review
John Mendelsohn wrote a review of DeShawn Dumas's work on July 18, 2017. The review was published on artcritical.com, a website powered by WordPress. The article was posted at…
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Mario Bellini: The Architect Who Defies Critical Categories
opinion-review
Mario Bellini, one of Italy's most prolific architects and designers, is the subject of a critical reappraisal in Artribune's series 'Architetti d’Italia'. Bellini, who received 8…
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Conformism and Friction in Contemporary Culture
opinion-review
In a reflective essay, Christian Caliandro critiques the pervasive conformism in contemporary culture and art, arguing that friction and resistance are essential for genuine…
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Why cultural regeneration in Italy rhymes with luxury
opinion-review
In Italy, real estate developers often convert disused buildings into luxury hotels, but this is not cultural regeneration. True cultural regeneration requires processes that are…
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Contemptorary Platform Features Critical Analysis of 2017 Whitney Biennial Controversy
opinion-review
The online platform Contemptorary, co-founded by Eunsong Kim and Gelare Khoshgozaran, published Jared Sexton's critical examination of debates surrounding Dana Schutz's painting…
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Mercato dell'arte e distorsione: riflessioni di Christian Caliandro
opinion-review
Christian Caliandro, un esperto di arte contemporanea e docente all'Accademia di Belle Arti di Firenze, offre su Artribune una serie di riflessioni personali riguardo al mercato…
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Italian Fashion's Self-Promotion Deficit: A Critique of Missed Opportunities
opinion-review
The piece examines Italy's shortcomings in nurturing fashion talent, especially when compared to the UK's robust support framework. It highlights the decline in men's fashion…
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Silvio Salvo on Social Media Strategy for Museums
opinion-review
Silvio Salvo, press office and social media manager for the Fondazione Sandretto Re Rebaudengo in Turin, discusses his unconventional approach to museum communication. He argues…
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Sciopero e creatività: ripensare le forme del dissenso
opinion-review
L'articolo critica l'efficacia comunicativa degli scioperi e delle manifestazioni tradizionali, sostenendo che siano diventati così frequenti da essere percepiti dal pubblico come…
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Mehryl Levisse exhibition review on artcritical
opinion-review
A review of an exhibition by Mehryl Levisse was published on artcritical on July 5, 2017. The post includes an installation view image credited to the gallery, though the gallery…
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Legal and fiscal challenges of cultural associations in Italy
opinion-review
The article examines the legal and fiscal pitfalls of using the association (associazione) form for cultural enterprises in Italy. While easy to set up and tax-advantaged for…
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Paolo Villaggio's Fantozzi: A Punk Critique of Italian Society
opinion-review
Christian Caliandro reflects on the cultural significance of Paolo Villaggio's character Ugo Fantozzi, arguing that Fantozzi was not a sympathetic figure but cruel and cynical,…
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Christian Caliandro on Nostalgia as a Creative Trap in Contemporary Culture
opinion-review
In a reflective essay on Artribune, art historian Christian Caliandro critiques nostalgia as a dominant force in contemporary culture. He argues that while nostalgia can fuel…
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Frida Kahlo: Feminist Icon or Constructed Myth? Curator Patrizia Andreocci Speaks
opinion-review
In an interview with Artribune, curator Patrizia Andreocci, who organized a Rome exhibition of over seventy photographs of Frida Kahlo taken by Lucienne Bloch, challenges the…
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Fr. Paul Anel Reflects on Paul Jenkins' Spiritual Abstraction and Chapel of Meditation
opinion-review
Fr. Paul Anel, the Art Director of Heart’s Home USA and exhibitions curator for First Things magazine in New York, reflects on the legacy of abstract artist Paul Jenkins, who…
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Italian cultural crisis rooted in audience data failure
opinion-review
The cultural sector in Italy faces a crisis not of demand but of understanding its audience, argues Stefano Monti in an article for Artribune. While events like Christo's and Jan…
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Urban Landscapes and Dystopia in Cinema: A Critical Analysis
opinion-review
Christian Caliandro examines how contemporary films spatialize time and convey human desolation through urban landscapes. In 'Looper' (Rian Johnson, 2012), the protagonist Joe's…
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Francesco Rutelli on Art's Crisis: Bourgeoisie and Technology
opinion-review
In an editorial for Artribune Magazine #36, Francesco Rutelli argues that contemporary art faces two major problems: the depression of the middle classes and the disruptive impact…
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Christian Caliandro's Meditation on the Contemporary
opinion-review
Christian Caliandro (born 1979), a contemporary art historian and cultural policy expert who teaches at the Accademia di Belle Arti di Firenze and serves on the scientific…
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Brexit and the Art World: Creative Industries Federation's Appeal
opinion-review
The Creative Industries Federation has urged the UK government to secure a Brexit deal that protects freedom of movement for EU workers, including artists, and maintains…
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Michele Dantini on Renzo De Felice: Historian as Mythmaker for Italy
opinion-review
In an article published on Artribune Magazine #36, art historian and critic Michele Dantini argues that the work of political historian Renzo De Felice, particularly his…
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Manuel Borja-Villel on Biennale Jury, Reina Sofia, and Art's Future
opinion-review
Manuel Borja-Villel, director of the Museo Reina Sofia in Madrid, discusses his role as president of the jury for the 57th Venice Biennale, which awarded the Golden Lion for best…
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The Many Faces of Contemporary Art Collecting
opinion-review
A 2017 Artribune article explores the diverse landscape of contemporary art collecting, challenging the stereotype of collectors as solely wealthy insiders. It identifies several…
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Tomaso Montanari's Political Stance Criticized as Conservatism
opinion-review
Tomaso Montanari, a prominent Italian art historian, delivered a speech at Teatro Brancaccio in Rome, declaring he will not run for office while criticizing the left for doing the…
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Paolo Portoghesi: Architect, Networker, and Controversial Figure of Italian Postmodernism
opinion-review
Luigi Prestinenza Puglisi offers a nuanced reassessment of Paolo Portoghesi, acknowledging his flaws while highlighting his role in building Italian architectural culture.…
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Christian Caliandro critiques contemporary art's social irrelevance
opinion-review
In a 2017 essay published on Artribune, art historian Christian Caliandro argues that contemporary art has become a set of exclusive social rituals rather than a meaningful force…
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Trance music's hi-tech spiritual revival explored by Carlotta Petracci
opinion-review
In an article for Artribune Magazine #35, Carlotta Petracci examines the resurgence of trance music in a hi-tech context, arguing that the genre has evolved from 1990s Goa trance…
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Nickolas Pappas Review of Ancient Greek Art Exhibition Featuring Maria Callas Projection
opinion-review
Nickolas Pappas authored a review of an exhibition featuring ancient Greek art. The exhibition included a projected still image of Maria Callas portraying Medea. This installation…
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Saul Ostrow Reviews Antoni Tàpies Exhibition at Nahmad Contemporary
opinion-review
A review of an Antoni Tàpies exhibition was published on June 14, 2017. The exhibition was held at Nahmad Contemporary gallery. The review was written by critic Saul Ostrow. An…
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Renato Barilli's Scathing Critique of documenta 14
opinion-review
Renato Barilli, a veteran critic who has attended every documenta since 1972, declares the 14th edition the worst yet, blaming curator Adam Szymczyk for a misguided partnership…
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Stefano Monti Criticizes Misuse of 'Culture' for Financial and Political Gain
opinion-review
In an editorial for Artribune, Stefano Monti argues that the term 'culture' is increasingly exploited to justify investments and political decisions that lack genuine social…
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Antonio Natali: Ai Weiwei's gommoni teach us to read art's content
opinion-review
Antonio Natali argues that Ai Weiwei's installation at Palazzo Strozzi, framing windows with migrant lifeboats, demonstrates the necessity of understanding content in contemporary…
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Historian Sidney Chalhoub Critiques Meritocracy as Myth Perpetuating Inequality
opinion-review
Historian Sidney Chalhoub, a professor at Harvard University and the University of Campinas (Unicamp), argues that meritocracy is a myth that perpetuates social and racial…
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Michele Dantini critica lo specialismo deteriore nella storia dell'arte
opinion-review
In un articolo pubblicato su Artribune Magazine #35, lo storico dell'arte Michele Dantini critica lo 'specialismo deteriore' nell'insegnamento della storia dell'arte, sostenendo…
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Vittorio Gregotti: The Anti-Empathic Architect
opinion-review
Luigi Prestinenza Puglisi's critical profile of Vittorio Gregotti, published on Artribune, portrays the Italian architect as an anti-empathic figure whose work reflects a rigid,…
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Oscar Bony's 1968 Performance La Familia Obrera Examined at Buenos Aires' Instituto Di Tella
opinion-review
In 1968, Argentine artist Oscar Bony presented La Familia Obrera at Buenos Aires' Instituto Di Tella, featuring a working-class family displayed as living sculpture within the…
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Exhibitions in Havana Homes Challenge Public Space Debates in Post-Soviet Cuba
opinion-review
Art exhibitions held in private residences in Havana are reshaping discussions about public space in contemporary Cuba. These practices, emerging only recently despite the home's…
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Three New York Institutions Explore Young Lords Legacy in 2015 Exhibition
opinion-review
In July 2015, a trio of venues—El Museo del Barrio, the Bronx Museum of the Arts, and the Loisaida Center in the Lower East Side—launched an exhibition titled ¡Presente! The Young…
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Marjorie Welish Reviews Robert Mangold's Work in Artcritical Publication
opinion-review
Marjorie Welish authored a review of Robert Mangold's artistic practice, published on June 1, 2017, by Artcritical. The piece examines Mangold's contributions to contemporary…
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