Opinioni e recensioni

Storie piu recenti

• Christian Caliandro's Letters to a Young Artist: On Style and Reality opinion-review

  Christian Caliandro publishes a series of letters to young artists on Artribune, reflecting on concentration, memory, and the invisible style of reality. He recounts a personal…

• Gabriella Belli on the Italian Practice of Renting Artworks opinion-review

  Gabriella Belli, former director of Mart in Trento and Rovereto, critiques the widespread practice of renting artworks in Italy, a system she describes as a 'very Italian…

• Veneto official mocks Biennale curator's sexual orientation opinion-review

  Elena Donazzan, Veneto's education and equal opportunities councillor, posted homophobic remarks on social media about Milovan Farronato, the newly appointed curator of the…

• Lilly Wei reviews Marcia Hafif's work in artcritical publication opinion-review

  On June 7, 2018, artcritical published a piece by Lilly Wei focusing on artist Marcia Hafif. The article appeared on the artcritical website, which operates using WordPress as its…

• Phil Cave on Art Education: Community Engagement Beyond Museums opinion-review

  In an interview with Artribune, Phil Cave, an expert in art education, discusses the role of contemporary art in engaging diverse audiences, particularly the elderly and youth. He…

• Robert Taplin Reviews Charles Gaines' 2018 Work 'Faces 1: Identity Politics, #4, W.E.B. Du Bois' opinion-review

  Robert Taplin authored a review of Charles Gaines' 2018 artwork 'Faces 1: Identity Politics, #4, W.E.B. Du Bois' on June 6, 2018. The piece measures 74 by 59-1/8 by 5-3/4 inches…

• Charles Gaines Exhibition at Paula Cooper Gallery Reviewed in 2018 opinion-review

  Robert Taplin reviewed an exhibition by Charles Gaines at Paula Cooper Gallery in 2018. The review was published on June 6, 2018, on artcritical.com. The article included an…

• Robert C. Morgan Analyzes Allegory in Chinatown Art and Rural Chinese Reality opinion-review

  Robert C. Morgan, a veteran historian specializing in Chinese and Japanese art, examines the relationship between allegorical representations in New York's Chinatown and actual…

• Nickolas Pappas Reviews Adrian Piper's Work on Artcritical opinion-review

  On June 5, 2018, artcritical published a review by Nickolas Pappas examining the work of conceptual artist Adrian Piper. The article was posted at 5:48 PM and remains accessible…

• Nickolas Pappas Analyzes Adrian Piper's 1981 Self-Portrait Exaggerating Racial Features opinion-review

  Nickolas Pappas examines Adrian Piper's 1981 artwork Self-Portrait Exaggerating My Negroid Features, which is held in The Eileen Harris Norton Collection and documented through…

• Valerio Paolo Mosco: La Biennale d'Architettura di Venezia è una fiera opinion-review

  Valerio Paolo Mosco esprime il suo dissenso riguardo alla 16ª Mostra Internazionale di Architettura di Venezia, diretta da Yvonne Farrell e Shelley McNamara (Grafton Architects)…

• Duane Linklater's Indigenous Materialism Examined in Critical Review of 80WSE Installation opinion-review

  A review essay published on June 5, 2018 analyzes Duane Linklater's site-specific installation 'From Our Hands' at New York City's 80WSE Gallery. The Omaskêko Cree artist from…

• Zoran Popović's 1976 Film Struggle in New York Documents Radical Art Exchange Between Belgrade and New York opinion-review

  Zoran Popović's 1976 film Struggle in New York captures a significant East-West conceptual art dialogue. The Belgrade-based conceptual artist and his wife Jasna Tijardović, an art…

• Antonio Dias's 1960s-70s trajectory recontextualized through Rio de Janeiro debates and European moves opinion-review

  Antonio Dias, who was born in 1944, found a growing audience in the English-speaking art world. However, his experiences in the 1960s and 1970s offer a different perspective on…

• Peripheral Aesthetics in Contemporary Italian Cinema: Dogman and La Terra dell’Abbastanza opinion-review

  Two Italian films, 'La Terra dell’Abbastanza' by Damiano and Fabio D’Innocenzo and 'Dogman' by Matteo Garrone, explore themes of peripheral existence and moral decay. Both…

• Art Writer Relocates from New York to Ohio, Challenging Geographic Art World Assumptions opinion-review

  An art writer's decision to leave New York City for central Ohio prompted questions from friends and acquaintances about the viability of writing about art outside Manhattan. The…

• The Value of Waiting in Italian Art: From Pompeii to Contemporary Works opinion-review

  An article by Santa Nastro explores the theme of waiting in Italian art, tracing it from a Pompeian fresco at the Museo Archeologico Nazionale di Napoli (MANN) to contemporary…

• Il dibattito sulla figura del manager culturale in Italia opinion-review

  L'articolo di Artribune solleva criticità sulla definizione e il riconoscimento della figura del manager culturale in Italia. Nonostante il MiBACT abbia dichiarato di voler…

• Tommaso Sacchi on keeping cities alive through cultural regeneration opinion-review

  Tommaso Sacchi argues that contemporary cities are living organisms requiring cultural regeneration, especially in peripheral areas. He emphasizes that mayors in the last decade…

• Artcritical Roundtable Discussion on Jenny Saville opinion-review

  Artcritical hosted a roundtable discussion about Jenny Saville on May 30, 2018. The conversation examined Saville's artistic practice and contributions to contemporary art.…

• The Case of Marcello Guido: Zevi's Forgotten Heir opinion-review

  Architect Marcello Guido, championed by critic Bruno Zevi as one of the most important architects of his generation, has been systematically marginalized by the architectural…

• Christian Caliandro on Rosaria Schifani's 1992 speech and Garrone's Dogman opinion-review

  Christian Caliandro reflects on two voices within Rosaria Schifani, widow of agent Vito Schifani, during her speech at Palermo's Chiesa di San Domenico on May 25, 1992. He…

• Renato Barilli critica Loro 1 e 2 di Paolo Sorrentino opinion-review

  Renato Barilli, critico d'arte e professore emerito dell'Università di Bologna, pubblica su Artribune un'analisi dei film Loro 1 e Loro 2 di Paolo Sorrentino, usciti nel 2018.…

• Critical Roundtable Debates Jenny Saville's 'Ancestors' at Gagosian New York opinion-review

  At Gagosian Gallery in New York, a group of artists and critics convened to evaluate Jenny Saville's exhibition 'Ancestors,' which runs until June 16, 2018. The panel's views were…

• Turin's cultural crisis: resignations, budget cuts, and a museum under political fire opinion-review

  Turin's cultural sector is in turmoil, marked by the resignation of Christian Valsecchi as Secretary General of the Fondazione Torino Musei in January, following Patrizia…

• Artcritical hosts discussion on Jenny Saville's work opinion-review

  Artcritical published a roundtable discussion focusing on the work of artist Jenny Saville. The conversation was posted on May 26, 2018, at 12:59 AM. The platform operates using…

• Cassa Depositi e Prestiti: un gigante invisibile della cultura italiana opinion-review

  La Cassa Depositi e Prestiti (CDP), fondata a Torino nel 1850, è un colosso finanziario con oltre 400 miliardi di euro in attività e un fatturato annuo superiore a 12 miliardi. Di…

• Debating Italy's Cultural Heritage Inalienability opinion-review

  Stefano Monti, writing in Artribune, challenges the Italian principle of inalienability of cultural heritage, arguing that the free circulation of artworks has historically driven…

• Venezia installa tornelli per gestire il turismo di massa opinion-review

  Venezia ha implementato tornelli di acciaio e vetro in punti strategici, tra cui piazzale Roma e la Stazione Santa Lucia, per gestire il flusso di visitatori. La città, con una…

• Museums face ethical dilemmas as digital art targets corporate sponsors opinion-review

  The digital art world is increasingly critical of tech giants like Amazon and Google, which have evolved from innovative platforms into monopolistic powers. A performance-workshop…

• Cristina García Rodero's Photography: Touching the Female Body Between Sacred and Profane opinion-review

  Fabio Petrelli analyzes Cristina García Rodero's photography through the dual representation of women as Virgin-Mother-Creator and femme fatale, exploring themes of death,…

• Salvador Dalí's Early Works and Surrealist Jewelry at Figueres Museum opinion-review

  The Dalí Theatre-Museum in Figueres, Spain, showcases Salvador Dalí's artistic evolution, featuring early paintings that resemble works by modernists like Picasso and Matisse, as…

• Strobert's First Major New York Exhibition at David Zwirner opinion-review

  An emerging artist named Strobert, who reconfigures the medium of painting itself, recently held his first major New York exhibition at David Zwirner Gallery. The exhibition was…

• Spouse Reviews Robert Zakanitch Exhibition at Nancy Hoffman Gallery on Valentine's Day opinion-review

  Robert Zakanitch presented an exhibition at Nancy Hoffman Gallery. The show was reviewed by the artist's spouse. The review criticized the term 'Pattern and Decoration' as…

• Robert C. Morgan reviews Yun-Fei Ji's work on artcritical opinion-review

  On May 17, 2018, artcritical published a review by Robert C. Morgan examining the artistic practice of Yun-Fei Ji. The article appeared on the artcritical website, which operates…

• Barbara Rose on painting, postmodernism, and her exhibition at Caserta opinion-review

  Barbara Rose, a prominent American art critic known for coining the term 'ABC Art' in 1965, recently participated in a rare interview at the Accademia Nazionale di San Luca in…

• David Carrier reviews Paul Resika's work on artcritical opinion-review

  David Carrier wrote a review about Paul Resika's artistic practice, published on artcritical.com on May 16, 2018. The article was posted at 3:08 pm and is part of the website's…

• Paul Resika's 2017 painting 'The White Sky' featured in artcritical review opinion-review

  Paul Resika's 2017 oil painting 'The White Sky' was documented on artcritical.com on May 16, 2018. The artwork measures 36 by 28 inches and was created using oil on canvas.…

• Robert Storr on Ad Reinhardt, Jerry Saltz, and the State of Art Criticism opinion-review

  In a conversation with Artribune, critic Robert Storr reflects on the significance of Ad Reinhardt, expresses his disapproval of Jerry Saltz's Pulitzer Prize, and shares his…

• David Cohen Reviews Carol Rhodes' Painting Construction Site (2003) in artcritical opinion-review

  David Cohen authored a review of Carol Rhodes' painting Construction Site from 2003, published on artcritical on May 15, 2018. The review included a detail image of the artwork.…