New Monograph Explores Pasolini's Cinematic Vision on Centenary
In celebration of Pier Paolo Pasolini’s 100th birthday, AliRibelli Edizioni has launched a monograph titled 'Visioni di Cinema: Pierpaolo Pasolini dietro alla macchina da presa', curated by Giuseppe Mallozzi. This collection includes essays from contributors such as Gianmarco Cilento and Roberta Verde, exploring Pasolini’s evolution from literature to film. The writers highlight his mastery of cinema as an expressive medium, analyzing ten significant works, including 'Accattone' and 'Mamma Roma'. Antonia De Francesco provided a review for MIfacciodiCultura, which was featured on the platform Artspecialday, further emphasizing Pasolini’s influential style and depiction of Italian urban life.
Fatti principali
- Volume published for the centenary of Pier Paolo Pasolini's birth.
- Part of the 'Visioni di Cinema – Quaderni di Visioni Corte Film Festival' series.
- Edited by Giuseppe Mallozzi.
- Essays by Gianmarco Cilento, Gordiano Lupi, Francesco Saverio Marzaduri, Davide Persico, Roberta Verde, and Giuseppe Mallozzi.
- Published by AliRibelli Edizioni.
- Argues Pasolini's shift to cinema was not a 'passage' but another language.
- Contains ten essays on Pasolini's films, including 'Accattone' and 'Mamma Roma'.
- Pasolini quoted: 'in reality there has never been a passage... I have always thought of making cinema'.
- Pasolini quoted: 'in my literature there is a strong dose of cinematic elements. Approaching cinema was therefore approaching a new technique that I had already developed for some time'.
- Review by Antonia De Francesco for MIfacciodiCultura.
- First published on Artspecialday.
Entità
Artisti
- Pier Paolo Pasolini
- Gianmarco Cilento
- Gordiano Lupi
- Francesco Saverio Marzaduri
- Davide Persico
- Roberta Verde
- Giuseppe Mallozzi
- Antonia De Francesco
Istituzioni
- AliRibelli Edizioni
- Visioni Corte Film Festival
- MIfacciodiCultura
- Artspecialday
Luoghi
- Italy
- Rome