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Domenico Beccafumi’s Alchemical Woodcuts Linked to Biringucci’s De la pirotechnia

cultural-heritage · 2026-10-18

Domenico Beccafumi (Monteaperti, 1478 – Siena, 1551) likely produced ten alchemical woodcuts as illustrations for Vannoccio Biringucci’s seminal work, De la pirotechnia, which is recognized as the first comprehensive guide on metals and casting methods. These xylographs were crafted between 1540 and 1550. Giorgio Vasari, in his book Le vite de’ più eccellenti pittori, elaborates on the creation of these engravings, depicting the efforts of Jupiter and the gods to solidify Mercury. The prints feature titles such as Vulcan in the forge, metals fleeing, and distillation, showcasing themes of alchemy and metalworking, with Vulcan embodying both the alchemist and the craftsman, while Mercury’s distant presence hints at a fusion of art, craft, and alchemy.

Fatti principali

  • Domenico Beccafumi lived from 1478 in Monteaperti to 1551 in Siena
  • The ten alchemical woodcuts were made between 1540 and 1550
  • Vannoccio Biringucci wrote De la pirotechnia, the first text on metals and casting
  • Giorgio Vasari discussed the engravings in Le vite, mistakenly calling them acqueforti
  • The prints depict Vulcan, Mercury, Jupiter, Pluto and metallurgical processes
  • Titles include Vulcan in the forge, Distillation and Uses of gunpowder
  • Beccafumi was among Renaissance painters with a concrete interest in alchemy
  • The series may have been intended to illustrate Biringucci’s treatise

Entità

Artisti

Luoghi

  • Monteaperti
  • Siena
  • Italy

Fonti