Opinion & reviews
Opinion & reviews
Editorials, critical reviews, analyses, commentaries, and viewpoints on the contemporary art world.
Most recent stories
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Akinola Davies Jr's 'My Father's Shadow' Explores Nigerian Diaspora Through Metaphysical Storytelling
opinion-review
Clive Chijioke Nwonka reviews Akinola Davies Jr's film 'My Father's Shadow' (2025), a semi-autobiographical story of two adolescent brothers journeying through Lagos with their…
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NZZ kritisiert NYT-Kolumnist Kristof für Hamas-Berichterstattung
opinion-review
Die NZZ wirft dem Pulitzerpreisträger Nicholas Kristof vor, in der «New York Times» die Verbrechen der Hamas zu relativieren. Der Artikel kritisiert zudem den…
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Olivia Rodrigo's Babydoll Fashion Sparks Debate on Infantilization
opinion-review
A recent opinion piece in Süddeutsche Zeitung examines the public reaction to singer Olivia Rodrigo wearing babydoll-style clothing. Critics accuse her of self-infantilization and…
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Ikkimel's New Album 'Poppstar' Reviewed: Radical but Predictable
opinion-review
Ikkimel, known for her explicit 'Fotzenrap' style, has released a new album. The review describes it as somewhat radical and important, but lacking in surprises.
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Critique of Italy's 'borgo' rhetoric and the PNRR's impact on small towns
opinion-review
Francesca Lacqua, in her text 'L'Italia straordinaria dal finestrino' from the book 'Contro i borghi' (Donzelli Editore), argues that the 'borgo' is a projection of desires by…
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Eugenio Vega analiza el absentismo universitario en España
opinion-review
Eugenio Vega, en su columna, reflexiona sobre el ausentismo en universidades españolas, citando un estudio de la Universidad Autónoma de Barcelona que revela que algunas materias…
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Social media dismantled celebrity mystique, turning stars into ordinary influencers
opinion-review
The article argues that social media has systematically dismantled the traditional celebrity culture built on scarcity and mystery. Before platforms like Twitter, Instagram, and…
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Susan Kooi on Archaeology, Art, and Grief: A Personal Journey
opinion-review
Artist Susan Kooi reflects on the intersections between archaeology, art, and personal loss. She describes an archaeological excavation of a Ford Transit van by Greg Bailey,…
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Fatherland Film Review: Thomas Mann Confronts Postwar Germany
opinion-review
The Financial Times reviews 'Fatherland', a film that examines Thomas Mann's confrontation with a haunted postwar Germany. The review explores how the film portrays Mann's complex…
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Auschwitz commandant’s house exhibition sparks ethical debate
opinion-review
The house of Rudolf Höss, the longest-serving commandant of Auschwitz, is now being used for art exhibitions, raising questions about the appropriateness of such a venue. The…
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Kubrick's 'Eyes Wide Shut': Jealousy and the Unconscious in Cinema
opinion-review
Stanley Kubrick's final film 'Eyes Wide Shut' (1999) explores jealousy and unconscious desires through the seemingly perfect marriage of Alice (Nicole Kidman) and Bill Harford…
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JMW Turner 'Self-Portrait' at Tate May Actually Be by John Opie, Scholar Argues
opinion-review
Art historian James Hamilton has called into question the attribution of a portrait thought to be JMW Turner’s sole mature self-portrait, currently held by the Tate. In a…
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Jorge Gorostiza on the Elusive Common Man in Architecture and Film
opinion-review
In a recent essay on Veredes, Jorge Gorostiza reflects on the difficulty of defining the 'common man' in architecture and cinema. He cites an anecdote from producer Al Ruddy, who…
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Asghar Farhadi's 'Histoires Parallèles' premieres at Cannes to mixed reviews
opinion-review
Iranian filmmaker Asghar Farhadi's tenth feature, 'Histoires Parallèles', premiered in competition at the 2026 Cannes Film Festival. The film, starring Isabelle Huppert and Pierre…
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Orphan film review: historical drama tackles harsh realities
opinion-review
The Financial Times reviews the film 'Orphan', a historical drama that confronts cruel realities. The review is behind a paywall, with subscription options including Standard…
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Bob Odenkirk stars in action comedy 'Normal'
opinion-review
Bob Odenkirk stars in the action comedy film 'Normal', which has been described as a shoot-'em-up comedy reminiscent of the 'John Wick' franchise. The film is a review piece…
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Gallery Owner Advises Artists to Pitch Less Selectively
opinion-review
A gallery owner argues that artists should stop self-rejecting and submit to more galleries. The author, writing on RedDotBlog, states that artists often waste time trying to…
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Karp and Thiel's Illiberal Tech Vision Under Scrutiny
opinion-review
Hirsch Chitkara's essay 'Our Straussian Techocracy' critiques the philosophical underpinnings of Silicon Valley's New Right, focusing on Palantir CEO Alex Karp and co-founder…
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Plays with invented dialogue depicting real events create new style
opinion-review
A recent wave of theater works uses invented dialogue to portray real people and events, blending fiction with reportage. The New York Times Style Magazine notes that while many…
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Steven Soderbergh on AI, Authorship, and the Future of Cinema
opinion-review
Steven Soderbergh discusses his new film 'The Christophers' (2025), starring Ian McKellen and Michaela Coel, which explores originality and ethics in art. He defends his use of AI…
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Merz's Selective Use of Catholic Social Doctrine Criticized
opinion-review
Friedrich Merz, leader of Germany's CDU, invoked Catholic social teaching to defend a capital-funded pension reform at the DGB trade union congress, despite his policies…
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1536: A New Play on Tudor Turmoil
opinion-review
The Financial Times reviews '1536', a new play set during the tumultuous Tudor period in England. The review praises the production as 'cracking', highlighting its dramatic…
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Archizoom's Dressing Design and Speculative Fashion Alternatives
opinion-review
In 1973, the Italian radical architecture group Archizoom Associati, established in Florence in 1966 by Andrea Branzi, Gilberto Corretti, Paolo Deganello, Massimo Morozzi, and…
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Kritik an Döpfners Rede vor dem Jewish World Congress
opinion-review
Mathias Döpfner, CEO von Axel Springer, hielt eine halbstündige Rede vor dem Jewish World Congress in Genf zum Thema Antisemitismus. Der Autor Velten Schäfer kritisiert die Rede…
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Pianist Jayson Gillham sues Melbourne Symphony Orchestra over cancelled concert after Gaza remarks
opinion-review
British Australian pianist Jayson Gillham, 39, is suing the Melbourne Symphony Orchestra (MSO) for discrimination based on political belief after it cancelled his August 2024…
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Lyric Hammersmith stages lavish, chaotic 'An Ideal Husband'
opinion-review
The Lyric Hammersmith in London is presenting a new production of Oscar Wilde's 'An Ideal Husband', described as lavish and chaotic. The play, a satire on political and moral…
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Dagmar Herzog links AfD ableism to unprocessed Nazi eugenics
opinion-review
Historian Dagmar Herzog argues that the ableism of right-wing parties like the AfD stems from Germany's failure to fully reckon with Nazi eugenics. In a debate, she contends that…
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Li Edelkoort: Luxury brands have contaminated Milan design week
opinion-review
Trend forecaster Li Edelkoort criticizes the increasing presence of luxury brands at Milan design week, arguing that opulence has contaminated culture. She notes that brands like…
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Creative rituals as defense against idea echo chamber
opinion-review
Danielle Pender argues that creative rituals are essential for combating the erosion of taste, attention, and intention caused by algorithmic sameness and visual overload. She…
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Heinz Bude on Germany's National Mood and Self-Blockade
opinion-review
In a commentary for Süddeutsche Zeitung, sociologist Heinz Bude analyzes Germany's notoriously bad mood, arguing that the country is blocking itself by failing to adapt to a…
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Streaming music faces obsolescence as industry shifts to microcommunities
opinion-review
Journalist Joel Gouveia argues that music streaming is nearing obsolescence, drawing on a Founders podcast episode about Jimmy Iovine. Iovine, co-founder of Interscope Records and…
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Barnaby Gorton’s ‘Fake’ Art for The Christophers Challenges Notions of Authenticity
opinion-review
In Steven Soderbergh’s film The Christophers, starring Ian McKellen as a washed-up artist, 16 prop paintings were created by British artist Barnaby Gorton. Gorton, who has worked…
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Unchosen Netflix Series Review: Predictable Religious Thriller
opinion-review
Netflix's British miniseries 'Unchosen' has become one of the platform's most-watched titles, but fails to deliver on its promising premise. Set in the remote English countryside,…
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Biennale Opening: A Satirical Take on Venice's Art Circus
opinion-review
A satirical article from Collezione da Tiffany humorously critiques the chaotic experience of attending the opening of the Venice Biennale. The author describes extreme…
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Liz Pelly: Spotify Treats Music as a Commodity
opinion-review
In an interview with Le Monde, journalist Liz Pelly, author of an investigation into Spotify, argues that the streaming platform deliberately pushes users toward low-value music…
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Ian McKellen and Michaela Coel star in art-fake comedy The Christophers
opinion-review
The Christophers is a film review of a comedy about art forgery, featuring Ian McKellen and Michaela Coel. The review highlights their superb chemistry. The film is described as…
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Sally Field stars in Netflix's 'Remarkably Bright Creatures' adaptation
opinion-review
Netflix has released 'Remarkably Bright Creatures,' an adaptation of Shelby Van Pelt's novel. The film stars Sally Field as Tova Sullivan, an aquarium cleaner in Sowell Bay, and…
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Italian Technical Schools Reform Sparks Debate on Education's Purpose
opinion-review
An article by Anita Romanello for Assemblea Scuola Torino, published on doppiozero.com on May 14, 2026, critiques the ongoing reform of technical institutes (istituti tecnici) in…
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Petra Kalive's Gender-Bending 'Earnest' Wows Adelaide
opinion-review
State Theatre Company South Australia's production of Oscar Wilde's The Importance of Being Earnest, directed by Petra Kalive, opened at the Dunstan Playhouse in Adelaide. The…
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Assayas's 'The Wizard of the Kremlin' Fails as Political Critique
opinion-review
Olivier Assayas's film 'The Wizard of the Kremlin,' adapted from Giuliano da Empoli's novel, fictionalizes the rise of Vladimir Putin through the eyes of strategist Vadim Baranov,…
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