Opinion & reviews
Opinion & reviews
Editorials, critical reviews, analyses, commentaries, and viewpoints on the contemporary art world.
Most recent stories
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Lorenzo Balbi and Alberto Zanchetta Debate Specialization vs. Interdisciplinarity in Contemporary Art
opinion-review
Lorenzo Balbi, artistic director of MAMbo – Museo d'Arte Moderna di Bologna and head of the Area Arte Moderna e Contemporanea of Istituzione Bologna Musei, and Alberto Zanchetta,…
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Italy's cultural districts: a failed promise
opinion-review
Despite significant investments and widespread enthusiasm, Italy has failed to create functional cultural districts. The concept, borrowed from industrial districts, aimed to…
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Adpology: A Satirical Spot Exposes Advertising's Sexist Clichés
opinion-review
On International Women's Day 2018, a British advertisement titled 'An Adpology' (a portmanteau of advertising and apology) was released online, directed by Tiny Bullet and…
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Aszure Barton, Kylián, and Béjart at La Scala: A Critical Review
opinion-review
At Teatro alla Scala in Milan, a triple bill of contemporary dance premiered in 2018, featuring works by Aszure Barton, Jiří Kylián, and Maurice Béjart. Canadian choreographer…
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Italian Cultural Policy After 2018 Election: A Post-Truth Era
opinion-review
The March 2018 Italian election resulted in a clear defeat for the ruling parties, including the Democratic Party (PD) and Forza Italia, while Angelino Alfano's party was…
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Rodney Dickson Discusses Painting's Spiritual Core and Violent Impulse in Bushwick Exhibition Interview
opinion-review
Rodney Dickson's untitled exhibition at David & Schweitzer Contemporary in Bushwick runs until March 28, 2018, featuring abstract works with paint layers up to three inches thick.…
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Christian Caliandro's reflections on a decaying Southern Italian town
opinion-review
Christian Caliandro reflects on Petrosa Jonica, a Southern Italian town marked by decay and neglect. He describes exposed electrical wires as a metaphor for forgotten history, and…
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LAPD Art Theft Detective Don Hrycyk on Art Fraud and Forgery
opinion-review
Andrea Olcese, a collector, discovered he had purchased a fake artwork and was contacted by the FBI and LAPD. He interviewed Detective Don Hrycyk of the LAPD Art Theft Detail,…
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Italian public debate fails to influence policy
opinion-review
Public debate in Italy has become dysfunctional, serving as entertainment rather than a democratic tool to influence government action. The author argues that issues like Art…
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Artist Ivana Spinelli on #MeToo and Gender Inequality in the Art World
opinion-review
In an interview with Artribune, Italian artist Ivana Spinelli reflects on the #MeToo movement and its impact on the art world. She describes the movement as opening a window in a…
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40 Years After Aldo Moro's Kidnapping: Italy's Unresolved Trauma
opinion-review
Christian Caliandro reflects on the 40th anniversary of Aldo Moro's kidnapping and assassination by the Red Brigades, arguing that the event has left Italy in a state of paralysis…
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Clara Tosi Pamphili on #MeToo: Respect but Not Total Agreement
opinion-review
Clara Tosi Pamphili, a fashion and costume historian and curator, shares her nuanced views on the #MeToo movement in an interview with Artribune. She expresses respect for the…
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Roman Kalinovski reviews Chris Dorland's 2017 digital painting Untitled (Drift Upload)
opinion-review
Roman Kalinovski authored a review of Chris Dorland's 2017 artwork Untitled (Drift Upload) on March 15, 2018. The piece measures 94 by 46 inches and employs UV ink on Alumacore.…
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Roman Kalinovski reviews Chris Dorland's 2017 UV ink work Untitled (Overclock)
opinion-review
Roman Kalinovski wrote about Chris Dorland's 2017 artwork Untitled (Overclock) on March 15, 2018. The piece measures 78 by 44 inches and uses UV ink on Alumacore. Lyles & King…
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Deborah Peterson Small on Racism, Drug Policies, and Police Violence in Brazil and the U.S.
opinion-review
Activist and lawyer Deborah Peterson Small, 60, founder of Break the Chains, analyzes systemic racism through the lens of the "war on drugs" and police violence, drawing parallels…
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New York's Russian Revolution Centennial Exhibitions and Programs in 2017
opinion-review
The centennial of the Russian Revolution in 2017 prompted numerous interdisciplinary events across New York City examining the 1917 event's historical and political legacy. At the…
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Massimo Carboni ritrae Gillo Dorfles come moralista contemporaneo
opinion-review
In un articolo su Artribune, Massimo Carboni analizza l'opera critica ed estetica di Gillo Dorfles, descrivendolo come un moralista nel senso alto del termine, capace di…
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Rubble and Ruins in Italian Cinema: From Rossellini to Fellini
opinion-review
Christian Caliandro's article on Artribune examines the symbolic use of rubble and ruins in Italian cinema, focusing on Roberto Rossellini's War Trilogy, Ettore Scola's "Dramma…
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Luigi Prestinenza Puglisi on Aldo Rossi: Architecture Between Order and Play
opinion-review
Born in Catania in 1956, architecture critic Luigi Prestinenza Puglisi reflects on the impact of Aldo Rossi, drawing from a 1983 interview conducted by Franco Raggi for Modo…
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Christian Caliandro critica il bipensiero nel sistema dell'arte contemporanea
opinion-review
In un articolo su Artribune, lo storico dell'arte Christian Caliandro denuncia la dissociazione tra dichiarazioni e pratiche nel mondo dell'arte contemporanea. Caliandro osserva…
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Critic Questions Value of Independent Art Fair
opinion-review
A recent critique of the Independent Art Fair raised concerns about its relevance, implying that attendance may not be justified. Featured artists include Brice Dellsperger,…
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Domenico Quaranta on Art, Technology, and Post-Medium Condition
opinion-review
In an interview with Davide Dal Sasso on Artribune, critic and curator Domenico Quaranta discusses the impact of digital technologies on contemporary art. He traces the evolution…
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Raffaele Gavarro on the Fragmented State of Italian Contemporary Art
opinion-review
In a lengthy essay on Artribune, critic Raffaele Gavarro argues that Italian contemporary art is hindered by a nostalgic reliance on its historical past, which prevents it from…
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Review of Koh-i-Noor Art Supplies: Colored Pencils and Drawing Paper
opinion-review
A review examines several art products from Koh-i-Noor Hardtmuth, a Czech manufacturer founded in 1790. The assessment covers the Polycolor, woodless, and Tri-Tone colored pencil…
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Gillo Dorfles on the Inescapable Individualism of Postmodernity
opinion-review
Curator Daniele Capra recalls his encounters with the late art critic Gillo Dorfles, who argued that capitalism's consumerist pressures transformed artists from societal members…
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Franco Angeli e Kerouac: un incontro che sfida il classismo culturale
opinion-review
Christian Caliandro riflette sul classismo nel sistema artistico e culturale, partendo dall'incontro tra Jack Kerouac e Franco Angeli a Roma nel 1966. Dopo essere stato aggredito…
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David Cohen reviews The Art Show at Park Avenue Armory featuring Set (1972) by Chimes
opinion-review
David Cohen reviewed The Art Show at the Park Avenue Armory, where Thomas Chimes's 1972 mixed media construction Set was presented. The work measures 17 by 13 by 1 inches and was…
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Digital Archives and Contemporary Art: Challenges and Opportunities
opinion-review
Gabriella De Marco, professor of contemporary art history at the University of Palermo, reflects on the state of digital archives in contemporary art. She contrasts the…
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Italian Election 2018: Cultural Policies Across Party Platforms
opinion-review
An analysis of Italian political party programs for the 2018 elections reveals a lack of substantial cultural policy differentiation. The Movimento 5 Stelle, PD, and Lega di…
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Leo Walford's Analysis of Michael Landy's 2001 Performance Art Piece 'Break Down'
opinion-review
Leo Walford examines Michael Landy's 2001 performance work 'Break Down', documented in a photograph by Julian Stallabrass. The analysis was published on March 1, 2018, through…
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Gender Studies and Feminist Movements Reshape Brazilian Academia and Society
opinion-review
In 2001, academic circles in England experienced a resurgence of feminist theories from the 1970s, particularly through Gender Studies and queer theory, which intersected with…
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Italian Centre-Left's Cultural Proposals for 2018 Elections Scrutinized
opinion-review
An examination of the cultural agendas from the centre-left coalition for Italy's 2018 general election reveals a deficiency in innovative ideas. Civica Popolare, under Beatrice…
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Sebastian Chan on digital strategy for museums
opinion-review
Sebastian Chan, Chief Experience Officer at ACMI – Australian Centre for the Moving Image, discusses digital communication and revenue models for museums. He argues that digital…
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Christian Caliandro's Philosophical Reflection on Order, Doubt, and Art
opinion-review
In a personal piece for Artribune, Christian Caliandro (born 1979), who serves as an art historian and professor at the Accademia di Belle Arti di Firenze, examines themes of…
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Lega's 2018 Electoral Program Surprises with Detailed Culture and Tourism Proposals
opinion-review
During the 2018 Italian general election, the center-right coalition presented a program that was largely ambiguous regarding cultural issues, with only slight mentions in points…
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Patrizia Asproni on #MeToo and Gender Equality in Italian Art
opinion-review
Patrizia Asproni, President of the Museo Marino Marini in Florence, discusses the #MeToo movement's impact on the art world and gender inequality in Italy. She praises the…
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Italian fashion press accused of uncritical enthusiasm during fashion weeks
opinion-review
Aldo Premoli critiques the Italian and international fashion press for its uncritical, effusive coverage of fashion weeks, arguing that journalists, bloggers, and influencers…
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Contemporary Art Market Dynamics and Educational Trends Analyzed
opinion-review
An article examines the contemporary art landscape, highlighting market dynamics where marketing and branding often overshadow artistic quality. It discusses how artists like Jeff…
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Can culture alone ensure social cohesion?
opinion-review
A polemic involving Christian Greco and the Museo Egizio di Torino has sparked a debate on the role of culture in social cohesion. The author argues that political correctness,…
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Media oggi: puzzle o patchwork? L'analisi di Lella Mazzoli
opinion-review
L'88% degli italiani si informa ancora principalmente attraverso la televisione, ma il suo ruolo è cambiato radicalmente con l'avvento del web. Lella Mazzoli, in un articolo su…
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